‘The Devil’s Bath’ Review: Anja Plaschg Shines In A Dour, Moody, 18th-Century Psychological Joyride
It’s Austria, circa 1750, and we open on a woman, devoid of emotion, as she quietly and chillingly casts her newborn over the side of a waterfall. This is how the creepy “The Devil’s Bath” begins. Make it t...