We’ve already posted most of the ambient drone music featured in Jim Jarmusch’s excellent existentialist thriller/ psychological noir, “The Limits of Control” — feedback-laden soundscapes by Boris, Sunn 0))) (both acts separately and together), Earth & The Black Angels.
But we figured we’d be completists and list out all the music you can expect to see in the hypnotic, slow-burning film. Look out for that quick LCD Soundsystem track, ’30s jazz and R&B pianist Bill Doggett, a Schubert track used like a mantra and traditional Spanish music (much of the film is set in Madrid and Seville in Spain). “Additional music” in the film is written by Jarmusch, Carter Logan and Shane Stoneback, the same trio that wrote music for the trailer.
Japanese experimental heavy metal act Boris get the credit of “With Music by Boris,” but it’s only because so much of their music was featured (they did not write an original score).
Here’s the all the music that’s played in the film.
Boris – “Feedbacker I & IV” (from Feedbacker, on Disk Union Records)
Boris -“Fuzzy Reactor” (from Rainbow, on Disk Union Records)
Schubert – “Adagio – String Quintent In C D.956”
Boris – ” ” aka Smile (from the Japanese version of Smile, on Disk Union Records)
sunn 0)))/Boris – “N.L.T.” (From Altar, on Southern Lord)
Bill Doggett – “Moon Dust”
LCD Soundsystem – “Daft Punk Is Playing At My House”
Boris -“Farewell” (From Pink, on Southern Lord)
Manuel El Sevillan0 – “Por Compasión: Malagueñas” (a traditional Flamenco)
Black Angels – “You On The Run”
La Macarena – “Saeta” (an Alan Lomax recording)
sunn 0)))/Boris – “Blood Swamp” (From Altar, on Southern Lord)
Talegon De Cordoba, La Truco and Jorge Rodriguez Padilla – “El Que Tenga Por Grande” (traditional)
Earth – Omens and Portents 1: The Driver (from The Bees Made Honey In The Lions’ Skull, on Southern Lord)
Carmen Linares – “El Que Tenga Por Grande” (traditional)
More thoughts on the film soon, but you can probably tell what we thought.
