Film enthusiasts have much to anticipate in May with a captivating lineup of releases that span various genres and eras for the estimable Criterion Collection.
This bespoke DVD/Blu-Ray label’s eclectic selection for May includes three new films never part of the collection before Charles Burnett’s classic black-slice-of-life street poetry film, “Killer of Sheep,”—often described as very Terry Malick in tone— Abbas Kiarostami’s “The Wind Will Carry Us,” and Richard Lester’s “The Three Musketeers/The Four Musketeers.”
Previously released titles either long out of print or upgraded into new editions include Bruce Robinson’s “Withnail and I” and “How to Get Ahead in Advertising,” Jacques Demy’s “The Umbrellas of Cherbourg,” and Norman Jewison’s “In the Heat of the Night.” These films offer a unique glimpse into the artistry and storytelling that define great cinema.
“Killer of Sheep” (1978)
This May, one of the standout releases is Charles Burnett’s “Killer of Sheep,” a quiet revelation of American independent filmmaking. Set in the Watts neighborhood of Los Angeles, this film is a poignant and insightful portrayal of African American life in the 1970s. Burnett’s subtle yet powerful narrative captures the struggles and dreams of its characters with a documentary-like authenticity that resonates deeply with viewers. Its exploration of themes such as economic hardship, family, and resilience has cemented “Killer of Sheep” as a cornerstone of independent cinema.
“Withnail and I” (1987) & “How to Get Ahead in Advertising” (1989)
Bruce Robinson’s “Withnail and I” and “How to Get Ahead in Advertising” are two indelible comedies from the maverick British writer-director. “Withnail and I” is a cult classic that humorously depicts the misadventures of two unemployed actors in London who escape to the countryside only to encounter more chaos and absurdity. Robinson’s sharp wit and keen observations on friendship and desperation make this film a timeless favorite.
In contrast, “How to Get Ahead in Advertising” is a darkly comedic satire that critiques the advertising industry’s manipulative nature. The film follows an advertising executive whose career spirals out of control as he develops a talking boil on his neck, symbolizing his moral and psychological unraveling. Robinson’s biting social commentary and inventive storytelling shine through in this thought-provoking comedy.
“The Wind Will Carry Us” (1999)
Abbas Kiarostami’s “The Wind Will Carry Us” is a meditative masterpiece set in rural Iran. This film beautifully captures the simplicity and complexity of life in a small village as an outsider arrives with plans that gradually unfold against the backdrop of the villagers’ daily routines. Kiarostami’s minimalist approach and poetic visual style invite viewers to reflect on themes of life, death, and the passage of time. “The Wind Will Carry Us” is a testament to Kiarostami’s genius blending naturalism with profound philosophical questions.
“The Three Musketeers” (1973)/“The Four Musketeers” (1974)
Richard Lester’s “The Three Musketeers” and “The Four Musketeers” offer a swashbuckling spectacular that brings Alexandre Dumas’ classic tales to life with flair and humor. These two films chronicle the adventures of the dashing musketeers and their young protégé D’Artagnan as they navigate political intrigue, romance, and duels in 17th-century France. Lester’s dynamic direction and the ensemble cast’s charismatic performances deliver a delightful and action-packed cinematic experience that continues to captivate audiences.
“The Umbrellas of Cherbourg” (1964)
Jacques Demy’s “The Umbrellas of Cherbourg” is one of the most revered and unorthodox movie musicals ever. This film, featuring a wholly sung dialogue, tells the bittersweet love story of a young couple separated by war and circumstance. Demy’s vibrant color palette, Michel Legrand’s unforgettable score, and the poignant performances by Catherine Deneuve and Nino Castelnuovo create a mesmerizing cinematic experience. “The Umbrellas of Cherbourg” remains a beloved classic that blends whimsy with melancholy, capturing the beauty and heartache of young love.
“In the Heat of the Night” (1967)
Lastly, Norman Jewison’s “In the Heat of the Night,” now available in stunning 4K UHD, is a Hollywood classic from the civil rights era that continues to resonate today. The film stars Sidney Poitier as Virgil Tibbs, a black detective from Philadelphia who becomes embroiled in a murder investigation in a racially charged Southern town. Opposite him, Rod Steiger plays the initially hostile but gradually respectful police chief. “In the Heat of the Night” tackles themes of racism, justice, and human dignity with a gripping narrative and powerful performances, solidifying its place in film history.
This diverse collection of films coming in May offers something for every cinephile, from independent American cinema and British comedies to Iranian meditations and French musicals. Each film is a testament to the power of storytelling and the enduring impact of cinema on our cultural landscape.
