Female Agency And The Lesbian Gaze In Todd Haynes' Impeccably Crafted Drama 'Carol'

Directed by Todd Haynes,”Carol” is a slow burning, voyeuristic film about love, longing and the wistful ache of forbidden desire. The movie is so sensual in the most subtle ways. Without saying much, “Carol” is an expressive drama that says everything in the glances between Cate Blanchett and Rooney Mara. Every little movement is calculated and performed with a depth that goes beyond just a hand resting on a shoulder. But what is it that the film is saying, without the use of language?

The lesbian gaze is a signifier for female agency as described in this video essay by Edith Gras. Each little movement has a purpose. And, more often than not, these movements tell the audience more about a character’s intentions than the use of words. What makes the silent communication of “Carol” quite so special is the use of body language between Mara and Blanchett. There is clear desire in every touch and look. And the directness between the two defines their intent.

“Carol” is a rare film that escapes the male gaze. The viewing experience of the audience is positioned by the desires of two women – both of whom have to hide their longing due to the unforgiving social climate and class. When we’re watching two women fall in love, we are simultaneously learning about their characters. The film has a slow passing to it but everything comes to a blow by the third act. And the subdued, careful placement of Therese and Carol becomes unraveled. But under the direction of Haynes, a thoughtful, considered LGBTQ-sensitive filmmaker, what we are left with are the small details. The choices made by two women, inexplicably overwhelmed by one another in a world that cannot yet understand them.