The essential news, reviews,interviews and recommendationsfrom The Playlist.
Nathan Fielder & Lance Oppenheim Talk ‘You Can See Everything,’ Elizabeth Holmes & A Surreal Doc About Observation, Perception & Performance [NYFF]
‘G.I. Joe’: Bradley Cooper To Star In Danny McBride’s Upcoming Pic At Paramount
‘Neagley’: Prime Video’s ‘Reacher’ Spinoff Renewed For A Second Season
‘East Of Eden’ Review: Florence Pugh Is Extraordinary In Zoe Kazan’s Breathtaking Saga About The Sins We Carry & The Ones We Can Transcend
‘Animals’: Ben Affleck Says He Used AI “For Lots Of Things” On His New Movie But Won’t Say What
‘Carrie’ Review: Mike Flanagan’s Compassionate Reimagining Makes Stephen King’s Horror Feel New Again
‘Verity’ Review: Dakota Johnson & Anne Hathaway Go Deliciously Trashy In Michael Showalter’s Self-Aware Yet Painful Erotic Thriller
‘Digger’ Review: Tom Cruise & Alejandro G. Iñárritu Take An Audacious, Antagonistic Swing At The End Of The World
‘Newlyweds’ Trailer: Téa Leoni & Tim Daly Get Married All Over Again In Jamie Lee Curtis’ NBC Comedy
‘VisionQuest’ Trailer: Paul Bettany Goes On The Run With His Reincarnated Son & James Spader’s Ultron
‘Dexter: Resurrection’ Season 2 Trailer: Michael C. Hall Faces Off Against Dan Stevens & Brian Cox On October 30
Paula González-Nasser & Mimi Davila On ‘The Scout,’ Monica Vitti & Finding Comedy In NYC Loneliness [Interview]
Lance Oppenheim On Robert Pattinson’s “Vampiric,” Chris Hansen, ‘Primetime,’ & Making ‘You Can See Everything’ With Nathan Fielder [Interview]
‘The Incomer’: Domhnall Gleeson Has “No Regret” About General Hux’s ‘Star Wars’ Fate & Says ‘The Paper’ Season 2 Is “Funnier” [Interview]
Jay Baruchel & Michael Dowse On ‘The Stunt Driver,’ Ken Carter’s Impossible Jump, ‘Goon 3’ & ‘Reacher’ [Interview]
Pablo Larraín On ‘My Sad Dead,’ ‘Once,’ Stephen King & Why Male Characters Can Be “Very Boring” [San Sebastián Interview]
‘What Lies Between Us’ Review: Denmark’s Answer To ‘Adolescence’ Is A Gripping, Morally Thorny Drama [TIFF]
‘Baby Doe’ Review: Jessica Earnshaw’s Remarkably Complicated True-Crime Story Refuses Easy Answers
‘Funny Money: The Dane Cook Story’: Dane Cook Talks His True-Crime Doc, His Brother’s $12 Million Betrayal & What Comes Next [The Discourse Podcast]
Andrew Garfield Talks ‘The Uprising,’ Spider-Man, Sam Altman & Paul Greengrass [The Discourse Podcast]
‘Idiots’: Dave Franco Talks Macon Blair’s Gross-Out Comedy, A “Superhero” Diarrhea Shot & His Next Horror Film [Interview]
‘The Pitt’: Shawn Hatosy Teases Abbot’s Hidden Trauma, Season 3 & Why A Night-Shift Spinoff Probably Won’t Happen [Bingeworthy Podcast]
‘The Rivals Of Amziah King’: Matthew McConaughey, Angelina LookingGlass & Andrew Patterson Talk Live Bees, Alternate Cuts & ‘Yellowstone’ Spin-Offs [Interview]
‘Clarissa’ Trailer: David Oyelowo And Ayo Edebiri Star In Virginia Woolf Adaptation Out December 11
‘Gentle Monster’ Trailer: Léa Seydoux’s Marriage Unravels In Marie Kreutzer’s ‘Corsage’ Follow-Up
Taylor Swift Wins Video Of The Year But Madonna Rules The 2026 MTV Video Music Awards [Complete List]
‘The Odyssey’ Is Your Best Picture Frontrunner…For Now [Contender Countdown]
‘La Bola Negra’ Wins 2026 Toronto International Film Festival People’s Choice Award
Emmys 2026 Best & Worst: Matthew Rhys Makes History, Rhea Seehorn Finally Wins & Mariska Hargitay Flops
‘Widow’s Bay,’ ‘The Pitt’ Win Big At The 2026 Emmy Awards [Complete List]
Florence Pugh Says Marvel Let Her “Create Who Yelena Is Now” After She Changed The Character’s Accent & Personality
Robert Pattinson Closes The Door On His Batman Joining James Gunn’s DCU: “It Would Be Kind Of Tough”
Netflix Shoots For Its Own ‘Heated Rivalry’ With ‘Icebreaker,’ Casts Daisy Jelley & Newcomer Connor Simos
Curry Barker Says Netflix Tried To Buy ‘Obsession’ With A Straight-To-Streaming Offer & Reveals ‘The Chair’ Was Almost His Feature Debut
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