‘Shoshana’ Trailer: Michael Winterbottom’s British-Occupation of Palestine Drama Stars Douglas Booth, Harry Melling & More
11 TV Shows To Watch In June: ‘The Bear,’ ‘Ironheart,’ ‘Squid Game’ & More
‘The Gilded Age’ Trailer: Season 3 Of Hit NYC Period Drama Returns June 22 On HBO Max
‘Artificial’: Luca Guadagnino Directing OpenAI Movie With Andrew Garfield, Monica Barbaro & Yura Borisov Circling At Amazon MGM Studios
‘Alien’ Franchise Producer Ridley Scott Says “I Think I’ve Done Enough,” But Hopeful Stories Will Continue
‘Andor’ Season 2: Genevieve O’Reilly On Mon Mothma’s Masks, Loss & Legacy, & Finally Getting Her Moment [The Rogue Ones Podcast]
‘Alpha’ Review: Love Is Trauma In Julia Ducournau’s Viscerally Affecting, Heartbreaking Palme D’Or Contender [Cannes]
‘Die, My Love’ Review: Lynne Ramsay Returns With Thorny Psychological Thriller Crowned By Brilliant Jennifer Lawrence [Cannes]
‘The Phoenician Scheme’ Review: Benicio Del Toro Shines In Wes Anderson’s Charming & Elaborate Family Heir & Espionage Drama [Cannes]
Pablo Larraín Reuniting With Netflix On Horror Miniseries ‘My Sad Dead’
‘Adolescence,’ ‘The Studio,’ & ‘The Pitt’ Top 2025 Gotham Television Awards
‘Andor’: Disney Said “Streaming Is Dead,” But Still Gave Tony Gilroy A $650M Budget For His ‘Star Wars’ Series
‘Mountainhead’: Jason Schwartzman Talks Jesse Armstrong, Satirizing Billionaires, Working With Wes Anderson, & The Future Of Coconut Records [The Discourse Podcast]
Benicio Del Toro’s Year Of The Andersons Kicks Off With ‘The Phoenician Scheme’ [Interview]
‘Bring Her Back’: Michael & Danny Philippou Discuss Their Horror Evolution, Crying With Sally Hawkins, ‘Street Fighter,’ & ‘Talk 2 Me’ [The Discourse Podcast]
Oscars Producers Katy Mullan & Raj Kapoor On Pouncing On Conan O’Brien To Return, And That ‘Defying Gravity’ LA Moment
‘A Useful Ghost’ Review: Award-Winning Thai Horror Comedy Deftly Navigates The Supernatural, Personal & Political [Cannes]
‘Tornado’ Review: John Maclean’s Period Thriller Underwhelms In Spite of Inspired Visuals, & Cast Including Tim Roth, Jack Lowden & More
‘It’s All Gonna Break’ Review: Re-Emerged, Reconstituted Documentary Finds Beauty In The Chaos Of Broken Social Scene
‘Peak Everything’ Review: Quebecois Filmmaker Anne Émond Finds Hope & Humor in A Gently Offbeat Apocalyptic Romance [Cannes]
‘The Six Billion Dollar Man’ Review: Julian Assange WikiLeaks Documentary Is A Bit Broad But Still Uncovers Urgent Truths [Cannes]
‘Friendship’: Andrew DeYoung On Tim Robinson, Paul Rudd, & The Wildest, Cringiest Buddy Comedy Of The Year [The Discourse Podcast]
‘The Studio’: Co-Creator Alex Gregory Talks Hollywood Satire, Seth Rogen’s Pratfalls, Scorsese’s Secret Comedy Genius, & More [Bingeworthy Podcast]
‘A Big Bold Beautiful Journey’ Trailer: Margot Robbie & Colin Farrell Star In Kogonada’s Latest Pic
‘M3GAN 2.0’ Final Trailer: Everyone’s Favorite Murder Doll Is Back & This Time She’s Not Alone
‘Dexter: Resurrection’ Trailer: Dexter Morgan Is Back In New Star-Studded Series Debuting In July
Pressing Emmy Awards Questions Begin With ‘The Last of Us’
Joe Locke Reveals Billy’s Guilt After ‘Agatha All Along,’ Why ‘Heartstopper’ Needed A Movie & How Patti LuPone Lived Up To The Hype
‘The Chronology Of Water’ Review: Kristen Stewart’s Long-Gestating Directorial Debut Is A Stylish Triumph [Cannes]
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