Criterion Adds ‘Adventures of Baron Munchausen,’ A New Lars Von Trier Trilogy Boxset & More For January 2023

While you’re still trying to figure out exactly what your Thanksgiving and Christmas plans are, the Criterion Collection is already looking at 2023. Yes, with their 2022 schedule already locked, the boutique DVD/Blu-Ray label has finalized its January 2023 release, and as usual, it’s a terrific crop of films. The titles are led by Terry Gilliam’s epic adventure fantasy “The Adventures of Baron Munchausen,” starring John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Robin Williams, and Uma Thurman. Also coming out in January is Mia Hansen-Løve’s fact and fiction blurring “Bergman Island,” featuring Vicky Krieps, Tim Roth, Mia Wasikowska, and Anders Danielsen Lie.

The Criterion Collection has long loved the lush, sumptuous work of 1950s filmmaker Douglas Sirk. But many of Sirk’s best films were remakes of 1930s filmmaker John M. Stahl. Thus, in January, Stahl starts to receive his flowers with the release of “Imitation of Life” (1934), a devastating story of single mothers, racial identity, and the American dream, starring Claudia Colbert.

Additionally, Criterion will also add “This Is Not a Burial, It’s a Resurrection,” one of 2019’s most acclaimed films from  Lesotho filmmaker Lemohang Jeremiah Mosese. Lastly, Criterion is repackaging three films from Danish provocateur Lars von Trier as the Europe Trilogy. They include “The Element of Crime,” “Epidemic,” and “Europa.” Details and trailers for each release are below.

THE ADVENTURES OF BARON MUNCHAUSEN

1988 • 126 minutes • Color • 5.1 surround • 1.85:1 aspect ratio

The boundless imagination of Terry Gilliam yields a dazzling fantasy of epic proportions. Inspired by the extravagant exploits of the fabled Baron Munchausen, this spectacle—born of a famously turbulent production—follows the whimsical eighteenth-century nobleman (John Neville) as he embarks on an outlandish quest that takes him from faraway lands to the moon to the belly of a sea monster and beyond, meanwhile waging battle against a vengeful sultan and the tyranny of logic. Packed frame to frame with special effects, mischievous wit, and colorful performances—including a young Sarah Polley as the Baron’s no-nonsense sidekick—the Oscar-nominated The Adventures of Baron Munchausen is a lavish celebration of the triumph of make-believe over reality.

DIRECTOR-APPROVED SPECIAL EDITION FEATURES

  • New 4K digital restoration, approved by writer-director Terry Gilliam, with 5.1 surround DTS-HD Master Audio soundtrack
  • For the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features
  • Audio commentary featuring Gilliam and his coscreenwriter, Charles McKeown
  • Documentary on the making of the film
  • New video essay by critic and filmmaker David Cairns about the history of the Baron Munchausen character
  • Behind-the-scenes footage of the film’s special effects, narrated by Gilliam
  • Deleted scenes with commentary by Gilliam
  • Storyboards for unfilmed scenes, narrated by Gilliam and McKeown
  • Original marketing materials including a trailer and electronic-press-kit featurettes, as well as preview cards and advertising proposals read by Gilliam
  • Miracle of Flight (1974), an animated short film by Gilliam
  • Episode of The South Bank Show from 1991 on Gilliam
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic and author Michael Koresky

BERGMAN ISLAND

2021 • 113 minutes • Color • 5.1 surround • 2.35:1 aspect ratio

Writer-director Mia Hansen-Løve embarks on a luminous summertime odyssey to the home of Ingmar Bergman for her seventh feature, a graceful, shape-shifting tale about the interplay of life and art and the ways in which stories are born. In search of inspiration for their current filmmaking projects, Chris (Vicky Krieps) and her partner (Tim Roth) travel to the remote island of Fårö, Sweden, where Bergman lived and worked for decades. There, the spirit of the cinema master looms as Chris confronts her complicated relationships to work, men, motherhood, and her artistic influences. Also featuring radiant performances from Mia Wasikowska and Anders Danielsen Lie, Bergman Island is a rich deconstruction of the mysteries of the creative process and the journey that every film takes from thought to page to screen.

DIRECTOR-APPROVED SPECIAL EDITION FEATURES

  • 2K digital master, approved by director Mia Hansen-Løve, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New interview with Hansen-Løve
  • New interview with actor Vicky Krieps
  • Bergman’s Ghosts (2021), a short film made during the filming of Bergman Island by actor Gabe Klinger
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Devika Girish

IMITATION OF LIFE

1934 • 110 minutes • Black & White • Monaural • 1.33:1 aspect ratio

Melodrama master John M. Stahl brings his exquisite restraint and almost spiritually pure visual style to this devastating, enduringly relevant story of mothers and daughters. Imitation of Life explores the friendship between two struggling single mothers: one (Claudette Colbert) a working-class white woman who ascends to the top of the business world, the other (Louise Beavers) her Black housekeeper, whose life is shattered by the rejection of her rebellious, white-passing daughter (Fredi Washington). It is this latter relationship—attuned to America’s bitter racial realities and heartbreakingly enacted by trailblazing Black performers Beavers and Washington—that lends the film its transcendent emotional power. This first adaptation of Fannie Hurst’s best-selling novel boldly confronts the complexities and contradictions of racial identity, economic exploitation, and the limits of the American dream.

SPECIAL EDITION FEATURES

  • 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
  • New interview with Miriam J. Petty, author of Stealing the Show: African American Performers and Audiences in 1930s Hollywood, about the resonance of Louise Beavers’s and Fredi Washington’s performances
  • New interview with Imogen Sara Smith, contributor to The Call of the Heart: John M. Stahl and Hollywood Melodrama, about director John M. Stahl and his work with actor Claudette Colbert and others
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by Petty

THIS IS NOT A BURIAL, IT’S A RESURRECTION

2019 • 122 minutes • Color • 5.1 surround • In Sesotho with English subtitles • 1.40:1 aspect ratio

With a poet’s eye for place, light, and the spiritual dimensions of everyday existence, Lemohang Jeremiah Mosese crafts a meditation on the concept of homeland and a transcendent elegy for what is lost in the name of progress. Grieving and alone following the deaths of her husband and children, elderly Mantoa (Mary Twala Mhlongo, in a soul-shaking end-of-life performance) prepares for her own death and to be buried alongside her ancestors. When plans for a new dam near her village in the landlocked kingdom of Lesotho threaten to literally wash away all she holds dear, Mantoa takes a last stand, mobilizing her neighbors to fight for their land and their way of life. The experience of watching Mosese’s visionary, much-lauded This Is Not a Burial, It’s a Resurrection is as timeless and elemental as the land itself.

DIRECTOR-APPROVED SPECIAL EDITION FEATURES

  • 2K digital master, approved by director Lemohang Jeremiah Mosese, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New audio commentary featuring Mosese and producer Cait Pansegrouw
  • Mosese’s short films Mosonngoa (2014) and Behemoth: Or the Game of God (2016), along with his 2019 essay film Mother, I Am Suffocating. This Is My Last Film About You., with a new introduction by Mosese
  • Trailer
  • PLUS: An essay by novelist and playwright Zakes Mda

LARS VON TRIER’S EUROPE TRILOGY

With his dazzling first three features, Lars von Trier sought nothing less than to map the soul of Europe—its troubled past, anxious present, and uncertain future. Linked by a fascination with hypnotic states and the mesmeric possibilities of cinema, the films that make up the Europe Trilogy—The Element of Crime, Epidemic, and Europa—filter the continent’s turbulent history, guilt, and traumas through the Danish provocateur’s audacious deconstructions of genres including film noir, melodrama, horror, and science fiction. Above all, they are bravura showcases for von Trier’s hallucinatory visuals, with each shot a tour de force of technical invention and dark imagination.

THREE-BLU-RAY SPECIAL EDITION FEATURES

  • 4K digital restoration of Europa, with uncompressed stereo soundtrack, and 3K digital restorations of The Element of Crime and Epidemic, with uncompressed monaural soundtracks
  • Audio commentaries featuring director Lars von Trier and others
  • Tranceformer: A Portrait of Lars von Trier (1997), a documentary by Stig Björkman
  • Interview from 2005 with von Trier about the Europe Trilogy 
  • Making-of documentaries for all three films
  • Programs on the films featuring interviews with many of von Trier’s collaborators
  • Two short student films by von Trier: Nocturne (1980) and Images of Liberation (1982)
  • Danish television interview with von Trier from 1994
  • Trailers 
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Howard Hampton

THE ELEMENT OF CRIME

1984 • 103 minutes • Color • Monaural • 1.89:1 aspect ratio

Lars von Trier’s stunning debut feature is a grungily expressionistic hallucination—a trancelike trawl through fractured memories, a murder mystery, and the psychic limbo of cultural displacement. From his exile in Cairo, a former police investigator (Michael Elphick) undergoes hypnosis in order to relive his memories of Europe and his last case, for which he went to dangerous lengths to enter into the mind of and catch a serial killer targeting children. Bathed in a sulfurous yellow glow pierced only by startling flashes of electric blue and red, The Element of Crime combines hard-boiled noir, dystopian science fiction, and dazzling operatic flourishes to yield a celluloid nightmare of terrifying beauty.

EPIDEMIC

1987 • 106 minutes • Color/Black & White • Monaural • In English and Danish with English subtitles • 1.66:1 aspect ratio

A jet-black comedy of contagion, a subversive medical-horror freak-out, and a sly metacinematic prank, Lars von Trier’s sophomore feature—born from a bet that he couldn’t make a film for less than $150,000—finds the director channeling his singular thematic obsessions into an evocatively lo-fi, perversely self-reflexive provocation. The filmmaker himself stars as a harried screenwriter whose efforts to complete a script about the outbreak of a deadly disease coincide with a grisly real-life plague. A twisted reflection on Europe’s haunted past—from the Black Death to World War II—and its scarred present, Epidemic is von Trier at his most idiosyncratic and audaciously experimental.

EUROPA

1991 • 112 minutes • Color/Black & White • Stereo • In English and German with English subtitles • 2.39:1 aspect ratio

“You will now listen to my voice . . . On the count of ten you will be in Europa.” The ominous, hypnotic induction by Max von Sydow inaugurates the entrancing final installment of Lars von Trier’s Europe Trilogy. An idealistic American (Jean-Marc Barr) travels to postwar Germany to take a job as a sleeping-car conductor for the Zentropa railways—and finds himself plunged into a murky, Kafkaesque world of intrigue and betrayal where the shadow of Nazism hovers menacingly over everything. With its ravishing cinematography (in black and white, color, and at times a stunning mix of both), dreamlike use of rear projections, and lush fusion of melodrama and noir conventions, Europa is a sublimely stylized cinematic fugue.