‘Something Very Bad Is Going To Happen’: Director Weronika Tofilska On That Unique Visual Aesthetic, Teasing The Big Twist & All That Blood [Interview]
Jason Momoa To Play Sonny Barger In ‘Hells Angels’ Movie For Writer/Director John Swab
‘Copperhead’: Miles Teller Tapped For West Texas Drug Cop Thriller From Director John Swab
‘Mineshaft: The Cruising Murders’ Review: Jeffrey Schwarz’s Doc Explores The Infamous William Friedkin Film With Mixed Results [Tribeca]
Lee Sung Jin Strategically Recruited Charles Melton For ‘Beef’ Season 2 & Wants You To Know He Hates Pickleball [Interview]
Glenn Close, Ridley Scott & Killer Films Will Receive Honorary Oscars At The 2026 Governors Awards
‘Disclosure Day’ Review: Steven Spielberg’s Awe-Struck Existential Thriller Finds Wonder In The Burden Of Cosmic Truth
Lily James Took Ownership Of ‘Swiped’ & “Bold Swings” For Takashi Miike’s ‘Bad Lieutenant: Tokyo’ [Interview]
Finneas On Scoring ‘Beef’ Season 2 And “Music With Cinematic Aspirations” [Video Interview]
Edgar Ramírez Enlisted For HBO’s ‘Task’ Season 2 Alongside Mark Ruffalo & Mahershala Ali
‘Furious’ First Look: Emmy Rossum Leads Liz Meriwether’s Dark Hulu Serial Killer Thriller This July
‘Human Vapor’ Main Trailer: Netflix’s Sci-Fi Crime Thriller Series From ‘Train To Busan’ Creator Features A Killer Transforming Into Gaseous Form
Rebecca Hall Reveals Ryan Murphy’s ‘The Beauty’ Request, Filmmaker Bonding With Ira Sachs, & When She Might Direct Next [Interview]
‘Carolina Caroline’: Samara Weaving & Kyle Gallner On Chemistry, Cons, & Shooting Adam Carter Rehmeier’s Road Romance [Interview]
‘Ponderosa’ Review: Jack Dylan Grazer, Alexis Bledel & Bill Camp Serve Up A Baffling Buffet Of Nothing
‘Carolina Caroline’ Review: Samara Weaving & Kyle Gallner Bring A Wounded Spark To Adam Rehmeier’s Twangy Crime Romance
‘The Last Day’ Review: Alicia Vikander & Victoria Pedretti Drift Through Motherhood, Memory, And Mental Collapse In Rachel Rose’s Haunting Debut [Tribeca]
‘Dutton Ranch’: Kelly Reilly, Cole Hauser & Annette Bening On Beth & Rip’s Texas Reset, ‘Batman Returns,’ & Taylor Sheridan’s Shadow, & More [Bingeworthy Podcast]
‘Maximum Pleasure Guaranteed’: Tatiana Maslany, Jake Johnson, David Gordon Green & David Rosen On Lonely Screens, Bad Decisions, ‘She-Hulk,’ ‘Spider-Verse’ & More [Bingeworthy Podcast]
‘Obsession’: Curry Barker On His Twisted Wish-Fulfillment Horror Breakout, Inde Navarrette’s Wild Performance, ‘Texas Chainsaw Massacre,’ & More [The Discourse Podcast]
‘From’ Season 4: Harold Perrineau On Boyd’s Psychological Collapse, Wild Fan Theories, ‘Lost,’ & More [Bingeworthy Podcast]
‘Hokum’: Damian McCarthy On Haunted Hotels, Folk Horror Roots & His Next Film [The Discourse Podcast]
‘Situations’ Trailer: Greg Vrotsos’ Unflinching Relationship Drama Explores Modern Landscape Of L.A. Dating Scene
‘Moana’ Live-Action Trailer: Dwayne Johnson Returns As Maui, Jemaine Clement Is Back As Tamatoa & Tickets Are On Sale
‘I Want Your Sex’ Trailer: Gregg Araki Returns To Queer, Kinky, Transgressive Territory With Olivia Wilde & Cooper Hoffman
‘The Social Reckoning’ Trailer: Jeremy Strong’s Mark Zuckerberg Faces Facebook’s Fallout In Aaron Sorkin’s ‘Social Network’ Companion Piece
‘Heat 2’: Christian Bale To Play Vincent Hanna, Stephen Graham As Neil McCauley In Michael Mann’s Upcoming Sequel, Adam Driver In Villain Role [Report]
‘Dutton Ranch’ Review: Beth & Rip’s Texas Reset Is Mostly A ‘Yellowstone’ Rehash With Fewer Culture-War Detours
Christopher Nolan Talks “Bleak Future” Of Cinema & How Studios Will “Relearn” The Value Of The Theatrical Experience
Quentin Tarantino Criticizes Quality Of Modern Movies While Praising Joe Carnahan’s ‘The Rip’: “A While Since I Saw A Truly Satisfying Cop Flick”
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