Sophia Di Martino knows why the Marvel Studios breakout series “Loki” was so successful creatively. It was partially due to the casting. Much of it was in the writing and the direction, but mostly, it was about the dynamic between the title character, played by Tom Hiddleston, and Loki’s multiverse doppelganger, Sylvie, portrayed by Di Martino herself.
“Some of it’s in the writing, some of it’s in what Tom does, a little bit of it’s what I do, but that it’s how these two characters rub each other up the wrong way,” Di Martino says. “They’re so similar but so different. And I think that fine line between the two is what’s really entertaining to watch because they know exactly how to wind each other up. Sylvie knows exactly how to wind Loki up and audiences love watching Loki being wound up. So, it’s just really entertaining and that’s part of the chemistry because they sort of hate each other, but love each other and will always be connected now. So it is this really specific dynamic, which is a massive gift to be able to play with.”
Over the course of our conversation centered on season two, Di Marto reflects on whether Sylvie found peace at the end of season two, how the stunt choreography keeps her in shape, what new directors Justin Benson & Aaron Moorhead brought to the series, and much, much more.
____
The Playlist: First of all, I have to tell you, that even though it aired last fall, “Loki “is still one of my favorite programs from the past 12 months. I just thought it was so well done.
Sophia Di Martino: Thank you.
When you found out you were coming back for season two, did you have an idea already of where Sylvie’s arc was going to go?
No, I had absolutely no idea until I read the script and then I had to read the script like three times because it was quite confusing.
Did Eric Martin, who was the head writer, sort of sit you down and give you a heads up, this is where we’re going, this is how we see her?
I’m trying to remember exactly what happened. If anyone sat me down, I think Tom might have given me because an executive producer as well, so he’s more involved in the writing and all the behind-the-scenes stuff. I think he may have given me a little headline sort of idea of what the second series was about, but I didn’t really know what would happen until I read the scripts. And then as we’re shooting, it’s changing all the time as well. The main structure is the same, but it’s really a moving beast and a big collaboration. So we’re rewriting it all as we go with Eric.
After reading the initial scripts, did you at least think to yourself, “O.K., we’re going to get to a point at the end of the season where Sylvie is at least at peace?” Or do you think part of her is still out for some sort of revenge”
I dunno if she’s at peace at the end of series two. I don’t think she goes back to Oklahoma. I don’t think she tries to get that peaceful human life again. I think she’s on another adventure, but I dunno. I feel like she just keeps casting an eye over what’s happening with Loki and with Sylvie. I don’t think she’s ever going to be truly at peace. I think she’s a sort of natural-born fighter. I think she’s only ever truly herself when she’s fighting for something. So she’s perhaps gone to look for the next fight.
Do you think that’s the big difference between her and her alternate timeline version of Loki played by Tom? That’s the inherent difference because Loki doesn’t seem to always want to fight.
I don’t think he wants to fight, but he has something within him that’s unfinished and he’s always searching for his glorious purpose. And I think they’re both doing that in slightly different ways.
And I know every member of the media that you’ve spoken to has asked you this in some way, but have you been given any tea about whether Sylvie will continue looking for her glorious purpose down the road?
I have no idea. They’ve told me nothing.
Do you like that in a way?
Yeah, I mean, because if you can just get on with your life until you get a phone call that says you have to be somewhere at a certain point, do something. Yeah, it’s an exciting part of it.
Was there any scene or moment in particular where you were like, “O.K., this is a moment that I’m going to have to dig deep into. This is a tougher scene than maybe I might’ve expected this day”?
The scene that was most interesting to play was that moment in McDonald’s when Loki and Sylvie meet again for the first time. I don’t think there were hardly any lines in that scene. Maybe she says, “Are you going to order something or not?” And it is very sparse the dialogue, but there’s so much unsaid, there’s so much acting going on and they look at each other for the first time. And that was really, really cool to get to play that. It’s bumping into your ex for the first time.
And I’m guessing there is not a lot of rehearsal time correct? It was mostly working it out on the scene on set.
Oh yeah. Yeah. The only rehearsals that we got were some choreo or some fight stuff. Yeah, we didn’t get much rehearsing for the actual dialogue scenes, but I like it that way.
Do you feel like there’s more spontaneity?
For me? Yeah. I like to rely on my intuition and my spontaneity.
Well, I always heard that when you put good actors together should get good results. But this cast in particular had such great chemistry. Even in season one. Do you think that that was just luck? Is it just the talent of the actors?
I think it’s also the characterization. Some of it’s in the writing, some of it’s in what Tom does, a little bit of it’s in what I do, but that it’s how these two characters rub each other up the wrong way. They’re so similar but so different. And I think that fine line between the two is what’s really entertaining to watch because they know exactly how to wind each other up. Sylvie knows exactly how to wind Loki up and audiences love watching Loki being wound up. So, it’s just really entertaining and that’s part of the chemistry because they sort of hate each other, but love each other and will always be connected now. So it is this really specific dynamic, which is a massive gift to be able to play with.
I know you had stunt doubles for a lot of it, but you did do a lot of your own action choreography, correct?
Yeah, yeah. We learn it all and then they sort of swap it and change it when they need to make it look better.
Was it fun? Is that stressful as an actor to have to do that stuff compared to just regular scenes?
I love it. It was a really great opportunity for me. I mean, I was like three months postpartum on the first [season]. It was a great opportunity for me to get fit. I don’t go to the gym. I was the most unfit person when I started, so it really kicked my ass into gear. But I really enjoyed it. And it’s watching the finished product, it just makes you feel like an absolute badass, even though it’s not me. Some of it is not me. It feels great to be a part of it, and it really helps me get into character as well as Sylvie because she’s such a brawler. She loves fighting so much. I’ve realized that I do too. And I’ve carried on. I box a couple of times a week, and I really enjoy the feeling of being able to channel my aggression somewhere. And as a woman, I think it’s quite rare to be able to be given the opportunity to be able to be aggressive and I love it.
At least for season two, do you recall one sequence or set piece that was tougher than any of the others?
There was two of the fighting stuff. I’m trying to remember. The stuff on the Ferris wheel was quite tricky because the space was quite small and there were wires. We were doing wire work, so that was tricky. And a lot of it gets changed last minute. So, you learn the sequence and then they figure out how they’re going to shoot it, and then they realized you can’t do the sequence anymore, so you have to do a different sequence. And so a lot of it is learning choreo on the fly and changing it up and doing something different that works for the camera. So, that was challenging. And I remember I had to throw the TVA guidebook and I couldn’t get it in the right place. Things like that, take ages to try and do. In the first series, there’s a sequence where a knife lands right next to my face, and one of Loki’s daggers stands right next to my face. Little things like that take hours.
In the final episode, you have a great moment when Loki continues to go back to sort of the workroom area where you guys all keep getting killed again and again. And Sylvie sort of imparts on him one last time about what he needs to do. Do you remember that scene that I’m talking about?
Is it in Key’s workroom or the Key Lime Pie?
It’s the last time that we see that version of Sylvie. The spaghetti is coming to sort of wipe her away. It’s before he goes back and realizes that he has to go into the…
Oh, yeah.
I don’t know if you remember that scene, but it seems like such a rich moment for Sylvie. I was wondering, did those moments at least sit with you at all about how emotional Sylvie’s connection had become with Loki?
Yeah, definitely. And I think she’s the spokesperson in a way for his friendship group. It becomes a real ensemble by the end of series two. It’s not just Sylvie. He’s made quite a few friends and they’ve become almost like a little bit of a team and he’s watching each one of them disappear. And I think Sylvie’s the last one to be turned into spaghetti. And that’s the moment where he realizes he needs to figure out how to control this time slipping so he can change what’s happening because otherwise, he’s going to lose everyone.
The drop-off between season one and season two from Kate Heron to Justin Benson & Aaron Moorhead was almost non-existent. They certainly have their own directorial style, but the quality is just so good. Can you talk about what they’re like to work with as directors on set and what you thought they brought to the series?
They are so relaxed at times. I was like, “Why are you so relaxed? It’s making me feel nervous. Why are you so confidently cool and calm?” They just know exactly what they want and what they’re going to do. And they have their own style and they’ve done a bunch of indie films, so they’ve done their time and know how to do it, and they know how to work with each other so well. I dunno if it’s about something to do with being two of them so they can share their stress or something just so chilled out and so open and collaborative and funny and just so easy.
I know you recently wrapped “The Radleys” with Damian Lewis. It’s a horror vampire comedy, right? Can you talk about it at all?
Honestly, I dunno when it’s going to be released, but it’s a vampire movie about a family of vampires trying to live in suburbia and not drink blood.
And it’s funny. It’s hopefully funny.
Hopefully. Yeah.
“Loki” season two is available to stream on Disney+
