The 2020 Tribeca Film Festival might have been canceled, but that doesn’t mean the event is gone. Similar to how SXSW 2020 handled things this year, Tribeca decided to allow the juries to take a look at the films in competition and hand out awards. And this year, the big winner is actually a film that everyone is able to see very shortly—Alice Wu’s “The Half of It.”
READ MORE: ‘The Half Of It’ Trailer: Netflix’s New YA Romance Has A New Take On A Classic Story
“The Half of It” walked away with the Founders Award for Best Narrative Feature. The jury for the US narrative competition said, about Wu’s feature, “The film is so charming, it’s so energetic, it’s so fun, it’s so well-paced, it’s directed with such a sure hand, it’s a really confident film and the characters are really well drawn and the actors were fantastic.”
Unlike other typical festival winners, everyone who subscribes to Netflix will get a chance to see “The Half of It” much sooner than you might think. The YA romance film is set to be released on the streaming service tomorrow.
On the International side of things, “The Hater,” from director Jan Komasa, won the Best International Narrative Feature award.
READ MORE: ‘Jacinta’: A Profound Look At The Brutal Reality Of Addiction & Recovery [Tribeca Review]
Other big winners include “Socks on Fire,” directed by Bo McGuire, which walked away with the Best Documentary Feature award. Jessica Earnshaw, the filmmaker behind the incredible documentary, “Jacinta,” won the Albert Maysles New Documentary Director Award.
Click here for more coverage of the 2020 Tribeca Film Festival.
Here’s the full list of winners:
U.S. NARRATIVE COMPETITION CATEGORIES:
The jury comprised of Cherien Dabis, Terry Kinney and Lucas Hedges awarded the following:
Founders Award for Best Narrative Feature – The Half of It, directed by Alice Wu.
Jury Comment: “The film is so charming, it’s so energetic, it’s so fun, it’s so well-paced, it’s directed with such a sure hand, it’s a really confident film and the characters are really well drawn and the actors were fantastic.”
Art Award: Julian Schnabel’s Le Scaphandre et le Papillon, 2007. Oil on map.
Best Actress in a U.S. Narrative Feature Film – Assol Abdullina, Materna.
Jury Comment: “Assol just has so much compelling energy; her emotions ran so deep…we cared about her dilemma.”
Best Actor in a U.S. Narrative Feature Film – Steve Zahn, Cowboys.
Jury Comment: “Steve showed great range in playing this character.”
Best Cinematography in a U.S. Narrative Feature Film – Materna, Greta Zozula, Chananun Chotrungroj, Kelly Jeffrey, Cinematographers.
Jury Comment: “The visuals were striking and played with color, light and dark, in a very interesting way.”
Special Jury Mention for Cinematography: My Heart Can’t Beat Unless You Tell It To.
Best Screenplay in a U.S. Narrative Feature Film – Cowboys, Anna Kerrigan, Screenwriter.
Jury Comment: “A beautiful portrait of a father and his transgendered son.”
INTERNATIONAL NARRATIVE COMPETITION CATEGORIES:
The jury comprised of Sabine Hoffman, Judith Godrèche, Danny Boyle, William Hurt, and Demián Bichir awarded the following:
Best International Narrative Feature – The Hater (Poland), directed by Jan Komasa.
Jury Comment: “Incredibly relevant for today; we were really impressed by the way it portrayed a character that is not immediately empathetic but really got us into the journey and the story.”
Art Award: Helen Marden’s January Golden Rock, 2020. Watercolor on paper.
Special Jury Mention: Ainu Mosir
Best Actor in an International Narrative Feature Film – Noe Hernandez, Kokoloko (Mexico).
Jury Comment: “For his raw and brave performance, taking a giant leap of faith, hand-to-hand with his director.”
Best Actress in an International Narrative Feature Film – Shira Haas, Asia (Israel).
Jury Comment: “Her face is a never-ending landscape in which even the tiniest expression is heartbreaking; she’s an incredibly honest and present actress who brings depth to everything she does.”
Best Cinematography in an International Narrative Feature Film – Asia (Israel), Daniella Nowitz, Cinematographer.
Jury Comments: “We were impressed with how the cinematography was supporting the emotionality of the story and was allowing us to really deeply feel with the characters.”
“Very simply and beautifully done.”
Best Screenplay in an International Narrative Feature Film – Tryst With Destiny (India, France), Prashant Nair, Screenwriter.
Jury Comments: “How cleverly conceived and executed this script was!” “Beautifully made film.”
DOCUMENTARY COMPETITION CATEGORIES:
The jury comprised of Yance Ford, Regina K. Scully, Ryan Fleck, Chris Pine, and Peter Deming awarded the following:
Best Documentary Feature – Socks on Fire, Bo McGuire, Director.
Jury Comment: “The film used new techniques woven into documentary filmmaking and narrative storytelling.”
Art Award: Sterling Ruby’s DRFTRS, 2020. Collage, paint and glue on paper.
Special Jury Mention: Wonderboy
Best Cinematography in a Documentary Film – 499, Alejandro Mejia, Cinematographer.
Jury Comment: “The filmmakers did an incredible job of weaving this fictional story into what’s happening today with the disappeared and to marry such grand visions that cinema can only do.”
Best Editing in a Documentary Film – Father Soldier Son, Amy Foote, Editor.
Jury Comment: “Such a well-crafted film from start to finish; a story that stays with you.”
BEST NEW NARRATIVE DIRECTOR COMPETITION:
The jury comprised of Lukas Haas, Juno Temple, Nat Wolff, Grace Van Patten, and James Ponsoldt awarded the following:
Best New Narrative Director – Nobody Knows I’m Here, Gaspar Antillo, Director.
Jury Comment: “A film that felt vital and alive, and every time we thought we knew who the protagonist was or what the world was it evolved and revealed more of itself to us.”
Art Award: Rita Ackermann’s The Working Woman 3, 2018. Oil, crayon and graphite on paper.
BEST NEW DOCUMENTARY DIRECTOR COMPETITION:
The jury comprised of Erin Lee Carr, Stacey Reiss, Josh Hutcherson, Joel McHale, and Gretchen Mol awarded the following:
Albert Maysles New Documentary Director Award – Jacinta, Jessica Earnshaw, Director.
Jury Comments: “Incredibly engaging filmmaking,” “very moving, beautifully done.”
Art Award: Gus Van Sant’s Achelous and Hercules, 2016. Enamel on paper.
Special Jury mention: The Last Out
THE NORA EPHRON AWARD:
The jury comprised of Gina Rodriguez, Aparna Nancherla, Anna Baryshnikov, Regina Hall, and Lizzy Caplanawarded:
The Nora Ephron Award – Asia, Director, Ruthy Pribar.
Jury Comment: “From the writing, to the directing, to the camera moves, to the direction for the acting, to the way Ms. Pribar told a story through non-speaking was just outstanding.”
Art Award: Pat Steir’s Untitled, 2008. Oil, pencil, ink, and acrylic on paper.
Special Jury Mention: My Wonderful Wanda
SHORT FILM COMPETITION CATEGORIES:
The jury comprised of Pamela Adlon, Kerry Bishe, Kasi Lemmon, Taylor Hackford, and Marshall Curry awarded the following:
Best Narrative Short – No More Wings, Abraham Adeyemi, Director.
Jury Comments: “It checked every box in terms of authenticity, and heart, and it was funny!” “It’s such an elegant piece of filmmaking.”
Art Award: Robert Nava: Medusa’s Walk, 2020. Acrylic, oil stick, crayon, and pencil on paper.
Special Jury Mention: Soup
Best Animated Short – Friends, Florian Grolig, Director.
Jury Comment: “Gorgeous, sparse, monochromatic animation.”
Art Award: Stephen Hannock’s Wallsend Morning on the River Tyne, 2019. Oil on board
Special Jury Mention: Kapaemahu
The jury comprised of Asia Kate Dillon, Marti Noxon and Sheila Nevins awarded the following for the 2020 Short Documentary and Student Visionary Competitions:
Best Documentary Short – My Father The Mover, Julia Jansch, Director.
Jury Comment: “A “movement” film which frees people from the pain had the biggest impression on us and lasted through the tragedies we’re going through now.”
Art Award: Francesco Clemente’s Flag US, 2018. Watercolor and miniature on paper.
Special Jury Mention: Welcome To A Bright White Limbo
Student Visionary Award – Cru-Raw, David Oesch, Director.
Jury Comment: “It’s rare to see in a student festival something very real with a great Macabre climax that’s really sticky.”
Art Award: Vahakn Arslanian’s Light of Airbus, 2009. Graphite on paper in artist’s frame.
Special Jury mention: The Last Ferry From Grass Island
TRIBECA X AWARDS:
The finalists for the 2020 Tribeca X Awards, sponsored by PwC, are available for public viewing on Tribecafilm.com. Tribeca X recognizes excellence in branded storytelling at the intersection of advertising and entertainment.
The jury comprised of Stefon Bristol, Filmmaker; Taylor Johns, Head of Content Production at YETI; David Lee, Chief Creative Officer at Squarespace; Matt MacDonald, Chief Creative Officer at Omnicom for AT&T; and Bonnie Siegler,Founder at Eight and a Half awarded the following:
Best Short – Pay Day, Director, Morgan Cooper
Brand: Synchrony Bank
Agency: Giant Spoon
Production Co: ColorCreative
Jury Comments: “This funny and stylish narrative gives a fresh and insightful perspective on getting out of a comfortable cycle and start chasing after one’s dreams.”
Best Series – Girls Room, Director, Tiffany Johnson
Writer: Lena Waithe
Brand: Dove
Agency: attn:, BBH Entertainment
Jury Comment: “The unique format of this series caught our eye right away and how it paired perfectly with this targeted audience.”
Best Feature – U Shoot Videos? Director, Morgan Cooper
Brand: Adorama
Jury Comments: “You had us at the shocking ending – while we all loved the storytelling and performances up to that point, how the feature built up to that climax was very impactful.”