‘Sinners’: Ryan Coogler Talks His Most Personal Film Yet & Why He Spoke To Christopher Nolan Before Production

“Each time I’ve made a film, it’s become more and more personal,” says “Black Panther” and “Creed” director Ryan Coogler, who is returning to the big screen in 2025 with his fifth feature film, the period horror “Sinners.” “Sinners” stars Michael B. Jordan – who has featured in all of Coogler’s films to date – as twin brothers Elijah and Elias who, in the Jim Crow era South, try to leave their troubled lives behind, only to discover that an even greater evil is waiting to welcome them back. Coogler touts “Sinners” as his most personal film. “With each film at each point in my life, that statement has been correct, but never like with this one.”

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A new trailer for “Sinners” has been released, showcasing Jordan’s dual performance, the vampiric deals with the devil, and the expansive cinematography at the heart of Coogler’s blues horror odyssey, with the entire movie having been shot on 65mm film. “It was an incredible experience,” said Coogler during the trailer preview event. “I got advice from Christopher Nolan and Emma Thomas, who are masters of the form. It was our first time working with large-format photography. We were doing something that hasn’t been done before, combining Ultra Panavision, which is 2.76:1, very wide, with the full frame IMAX film. It is a pretty incredible contrast seeing those together, but it was all to make the experience immersive. It’s my love letter to the theatrical experience, of watching an exhilarating movie in a packed house full of strangers, not knowing what’s going to happen next. So many incredible films have given me that feeling, and so I wanted to try my hand at giving it back to the audience.”

However, it wasn’t just the spectacle Coogler was interested in immersing audiences in, it was the world of his ancestors. “We wanted to let folks experience the world that my grandparents were a part of,” said Coogler. “A time that’s often overlooked in American history, specifically for Black folks, because it was a time associated with Jim Crow. A lot of things that maybe we’re ashamed to talk about. I got to have conversations with my grandmother, who’s nearly a hundred years old, and do some really heavy research. It was exciting, and to bring that time period to life with the celluloid format that was around then with the technological advancements that IMAX can provide. It’s a perfect marriage.”

Coogler was very candid about what inspired him to devise his first movie that is not based on a true story or an existing IP. “With this film, I got a chance to dig into my own ancestral history here in the States,” said Coogler. “I got to dig into two relationships. One was with my maternal grandfather, who died about a year before I was born. He built the house that our whole family lived in. And then my Uncle James, who I came up with my whole life, passed away while I was in post-production on ‘Creed.’ He was from another time in Mississippi. He wouldn’t really talk about Mississippi unless he was listening to the blues, unless he had a little sip of whiskey. The film is about the music that was so special to my uncle.”

In addition to the stories gifted to him by his family, Coogler also elaborated on the supernatural inspirations behind “Sinners.” “A big inspiration for the film is the novel ‘Salem’s Lot,’” said Coogler. “What happens when a town has got a lot of its own issues, has a lot of interesting characters, meet up with a mythological force of nature? That idea was a great way for me to explore some of the real things in this place that my grandparents and uncles, who influenced my life, came from, but also, a lot of American pop culture was birthed here. One of the things we explore in the film is blues music and blues culture, and that became so many of the things that affect what we do today. That music also has a very close relationship with the macabre, with the supernatural. You hear stories about Tommy Johnson and Robert Johnson selling their sousl to learn how to play the guitar, deals being struck, and the toll that talent can take. It used to be called ‘the devil’s music.’ All of these singers, even to this day, they learn how to sing, they learn how to make music in the church, yet they chose to make music that was frowned upon.”

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In addition to the trailer, we were treated to an exclusive clip from “Sinners,” a three-minute scene that shows at least one core element of the horror plot: the vampires can infect and take over people, such as Cornbread (Omar Benson Miller), but they cannot enter the spaces occupied by humans without being explicitly invited in. The vampiric Cornbread almost lures one of the twins into a trap and is swiftly met with a bullet through the head in response…which proves useless against a vampire. Coogler hints that ‘Sinners’ has much more in store than just vampire thrills. “The film is very genre fluid,” said Coogler. “Yes, vampires are an element of the movie, but that’s not the only supernatural element. It’s about more than that, and I think it’s going to surprise folks in a good way.”

“I’m blessed in that I had the ability to write and direct this one, and that I was working with my wife as a producer on this,” said Coogler regarding the familial atmosphere on set. “The best thing for me was just working with people who know me who could help to keep me on track.” Most of all, Coogler shared the new ground he explored with Jordan in his dual role. “Both performances are absolutely brilliant. It is Mike, unlike how I’ve ever seen him before, and I know him pretty well. I can’t wait for everyone else to see him.”

Ultimately, despite the grotesque horror and tense thrills of “Sinners,” due to the circumstances under which it was made, Coogler had one more thing to add:

“It’s a family movie. Not for the kids, but in terms of the making of it and the subject matter. Absolutely.”

Directed by Ryan Coogler, “Sinners” arrives in theatres on April 18th, and stars Michael B. Jordan, Hailee Steinfeld, Jack O’Connell, and Delroy Lindo.