There’s now less than a month until Christmas, and after a start last week with our look at the Best Posters and Best Trailers of the year, this week commences in earnest our annual smorgasbord of movie love that is our annual Playlist year-end features marathon. We’ll be looking at the best and worst of films, performances, sequences, cinematography, soundtracks and more across the next few weeks, which will serve as a reminder that 2016 was a pretty strong year at the movies.

But before we get to that, we’ve decided to look forward, with a peek at the movies that we’re most excited about in 2017. Below you’ll find the films we’re most keenly anticipating in the year to come, and the good news is that it looks like we’re in for a belter — even at a hundred, it’s all killer, no filler, and we could have gone much longer too.

They range from the biggest blockbusters to tiny micro-budget indies, from first-time filmmakers to veteran directors with five decades in the business under their belts, and with moviemakers from virtually every corner of the globe involved. Take a look at the full list below, and start marking your 2017 calendar.

Click here for our complete 2016 year-end coverage

vincent-vaughn-the-watch-1957880100. “Brawl In Cell Block 99”
Director: S. Craig Zahler (“Bone Tomahawk”)
Cast: Vince Vaughn, Jennifer Carpenter, Don Johnson, Udo Kier, Marc Blucas
Synopsis: A former boxer becomes a drug runner, only to end up in prison and forced to fight for his life.
What You Need To Know: We went into 2015’s “Bone Tomahawk” with fairly low expectations and came out overjoyed — it was a pulpy, poetic, darkly funny horror/Western that could be strangely beautiful and moving for a movie where someone gets bisected through the asshole by a mountain man who looks like a Predator. As such, it bought our undying loyalty to writer/director S. Craig Zahler, and we’ll be very much there for his next one, which has now wrapped. A more contemporary story of brutality, it seems to involve crime and prison boxing in some way, and while some might shirk from it, given that Vince Vaughn’s in the lead role, we’d remind them politely that Zahler is the man who got an interesting performance out of Matthew Fox in his last film. Matthew. Fox.
Release Date: Nothing yet, and no distributor either, but we imagine this could be a TIFF Midnight Madness contender.

Landline - Still 199. “Landline”
Director: Gillian Robespierre (“Obvious Child”)
Cast: Jenny Slate, Abby Quinn, Edie Falco, Finn Wittrock, John Turturro
Synopsis: In the Manhattan of 1995, three women in one family have to negotiate their relationships with each other, and with the outside world.
What You Need To Know: Four years ago, Gillian Robespierre’s “Obvious Child” proved to be one of the freshest and most enjoyable romantic comedies we’ve seen in a long while, as well as proving a vital corrective to the if-you-are-pregnant-that-you-must-have-the-baby narratives of “Knocked Up” and “Juno.” Things have been quiet since (she was developing a TV show that doesn’t appear to have gone), but she’s back at Sundance this year, reuniting with Slate for a film that seems likely to build on the strengths of its predecessor. Slate, newcomer Abby Quinn and Edie Falco have the leads in this family drama, and while the logline suggests that it could lean too heavily on the like-how-did-people-even-function-without-cellphones nostalgia, we have faith that Robespierre could bring us something special.
Release Date: Premiering in competition at Sundance, where it’ll likely be one of the hotter tickets.

Redoubtable Louis Garrel98. “Redoubtable”
Director: Michel Hazanavicius (“The Artist”)
Cast: Louis Garrel, Berenice Bejo, Stacy Martin, Gregory Gadeboise, Micha Lescot
Synopsis: The story of Jean-Luc Godard’s affair with actress Anne Wiazemsky
What You Need To Know: Plenty of filmmakers follow a Best Picture-winning peak with a fairly major trough, but few slumped so hard as Michel Hazanavicius did after “The Artist” — the French director followed his delightful silent movie homage with a remake of Fred Zinnemann’s “The Search,” a film so dreadful it barely got a release in the U.S at all. For his next trick, he appears to be deliberately trolling Film Twitter by literally making a biopic of Jean-Luc Godard, focused on his romance with actress Anna Wiazemsky (who also reportedly had an affair with Bresson too, something we definitely hope makes it in). We’d expect something formally playful in its homage to Godard’s work, and potentially a tin-eared disaster, but we’re undoubtedly fascinated to check it out.
Release Date: If “The Search” didn’t burn bridges with Cannes, this could well turn up there.


97. “The Coldest City”
Director: David Leitch (“John Wick”)
Cast: Charlize Theron, James McAvoy, John Goodman, Sofia Boutella, Toby Jones
Synopsis: On the eve of the fall of the Berlin Wall, an MI6 agent must take down a secret operation to kill undercover agents.
What You Need To Know: Few action movies of late have been better directed than “John Wick,” so it’s no surprise that its former stuntmen and second-unit helmers have become much in demand, though they’ve divided their efforts. Chad Stahelski has helmed the upcoming sequel on his own, in part because partner David Leitch (who also recently landed the “Deadpool 2” job) was busy on this project. Based on a graphic novel, it’s a retro spy thriller with a very promising cast, including Charlize Theron’s first big post “Mad Max” action role, and if Leitch can bring half the style and panache to this as he did to his Keanu vehicle, we should be in for a treat.
Release Date: Focus recently moved it up to July 28th, the heart of summer, a bullish move that suggests real confidence in the picture.

Idris Elba The Dark Tower96. “The Dark Tower”
Director: Nikolaj Arcel (“A Royal Affair”)
Cast: Idris Elba, Matthew McConaughey, Tom Taylor, Katheryn Winnick, Jackie Earle Haley
Synopsis: An 11-year-old boy is transported to a dimension called Mid-World, where he aids gunslinging knight Roland on a quest to the titular dark tower as they’re pursued by a malevolent sorcerer.
What You Need To Know: After seemingly years in development — J.J Abrams had a go at adapting it, then Ron Howard came close twice, first with Russell Crowe and then with Javier Bardem — we figured the movie version of Stephen King’s beloved fantasy series “The Dark Tower” would never come to pass. But filming finally got underway last year, with Howard producing and Danish helmer Nikolaj Arcel writing and directing. It’ll pit Idris Elba against Matthew McConaughey, and Arcel’s taken an interesting approach, treating the story as much as a sequel as an adaptation (this makes sense for spoiler-y reasons), which should let them have some latitude to change things and keep things fresh for fans. It’s the kind of movie that could turn out to be a swing and a miss, but a delay to a prime summer release suggests that the studio is happy with what they’re seeing.
Release Date: July 28th

mercy95. “The Mercy”
Director: James Marsh (“The Theory Of Everything”)
Cast: Colin Firth, Rachel Weisz, David Thewlis, Jonathan Bailey, Sebastian Armesto
Synopsis: The true story of Donald Crowhurst, a round-the-world yachtsman who wove a tragic web of lies.
What You Need To Know: While Oscar voters clearly responded to his last film, we have to say that we found it hard to recognize the James Marsh who made “Man On Wire,” “Project Nim” and “Red Riding” among the saccharine, surface-level Stephen Hawking biopic “The Theory Of Everything.” But while his next film “The Mercy” looks to be made of similar prestige stuff on the surface, we suspect it’s going to be a little more interesting. We won’t spoil it here, but Donald Crowhurst’s story is one of darkness and madness, and a screenplay by the great Scott Z. Burns (“Contagion”) suggests it isn’t going to be glossing over any of that. Firth goes from strength to strength too, and this should be a great role for him as well. Could it take him back to the Oscars?
Release Date: Filmed back in the summer of 2015, so it could be ready to go for Berlin.

diane-kruger-download-2189-low_tns-high394. “In The Fade”
Director: Fatih Akin (“Head-On”)
Cast: Diane Kruger, Numan Acar, Siir Eloglu
Synopsis: A man is tipped over the edge by his experiences of prejudice
What You Need To Know: Back in 2014, the great German-Turkish director Fatih Akin made the most ambitious film of his career with “The Cut,” and dropped the ball hard, with the movie receiving mostly toxic reviews. But with this year’s coming-of-age comedy “Tschick” seemingly serving as something of a palate cleanser, he’s ready for the big stage again, and this provocative-sounding drama sounds like it could be a return to form. Akin has described it as akin to “Taxi Driver,” but dealing with issues of immigration and racism as well, which certainly seems topical. And he’s got a big name on board as well, with Diane Kruger starring in the film — interestingly, it’s the first German-language movie for the actress, who’s mostly worked in French and American film up to now.
Release Date: Venice seems like the likeliest bet.

kate-winslet93. “Untitled Woody Allen Project 2017”
Director: Woody Allen (“Scoop”)
Cast: Kate Winslet, Justin Timberlake, Juno Temple, Jim Belushi, Max Casella
Synopsis: A drama set in New York.
What You Need To Know: While accusations over his personal life continue to make him a divisive figure to say the least, and he’s now over 80, Woody Allen has shown no signs of slowing down or being distracted. In fact, he’s only getting busier — while many thought his Amazon series might cause a break in his movie-a-year schedule, it hasn’t been the case, as he’s recently filmed his 48th movie, albeit a touch later than usual. As usual, everything from the title down is still secret, but we do know that it’s a drama (a period one, judging from set pictures), and that it stars Kate Winslet in her first collaboration with the director. We also know that someone, somewhere will probably describe it as a “return to form,” and they’ll probably be wrong.
Release Date: A later shoot might mean that a Cannes bow will be out, but expect it in the late summer or early fall.

a-fantastic-woman92. “A Fantastic Woman”
Director: Sebastian Lelio (“Gloria”)
Cast: Daniela Vega
Synopsis: A waitress and singer struggles to recover from the death of her boyfriend.
What You Need To Know: The Chilean film scene is thriving, and while Pablo Larrain, soon to break through to the mainstream with “Jackie,” is the leading light of that, there’s plenty more beyond that going on. Like the work of Sebastian Lelio, whose 2013 film “Gloria” became a Playlist favorite, and won Best Actress for Paulina Garcia (more recently seen in Ira Sachs’ “Little Men”) at Berlin. Four years later, he’s ready to go with his follow-up, another drama centered on women, albeit a younger one this time, and it should help make his name known internationally even further. In part because Larrain is producing, just at the moment where his name will start to mean more to people.
Release Date: A return to Berlin seems likely.

alien-covenant-ridley-scott-katherine-waterston91. “Alien: Covenant”
Director: Ridley Scott (“Alien”)
Cast: Katherine Waterston, Michael Fassbender, Danny McBride, Demián Bichir, Amy Seimetz
Synopsis: The crew of the spaceship the Covenant discover a world that might be a paradise, but its sole inhabitant, android David, the only survivor of the doomed Prometheus mission, has a dire warning for them.
What You Need To Know: The definition of madness is doing the same thing over and over again and expecting a different result. And yet here we are, five years on from “Prometheus,” hoping that Ridley Scott’s latest “Alien” prequel is the follow-up we deserve. A strong marketing campaign meant that “Prometheus” was feverishly anticipated, which only made its mediocrity (and that’s being generous) stand out all the more when it arrived. But Scott’s coming off his best movie since “Gladiator” in “The Martian,” and this looks to move closer to his 1979 original, right down to the blue-collar spaceship vibe and a decidedly Ripley-ish heroine in Katherine Waterston. But can the script justify the existence of the franchise? Fingers crossed…
Release Date: May 19th

  • rickyticki

    PTA’s TWBB was not set in the Depression-era, it was early the early 20th century, starting even before, in 1898, and ending before the Great Depression, in 1927. Any cinefile would know (though maybe not the specifics), and any idiot knows TGD was in the late 1920s through the 30s.

  • Dan

    It may not qualify for this film list, but it’s also worth remembering that Twin Peaks makes its return next year as well (and, if rumors are true, may see some form of theatrical release for selected episodes).

  • blake011

    Very much doubt the PTA film will be ready by 2017

  • Thor2013

    “Lady Bird” is NOT Greta Gerwig’s directorial debut. She previously directed “Nights and Weekends”, which is one of the greatest movies of the last decade (at least according to me).

    • Floyd Rock

      It’s her singular directorial debut though since Nights and Weekends was made with Joe Swanberg, and she’s even talked about it in an interview about how it was a new experience for her.

  • Manoutoftime

    You overlooked “The Salesman” by Asghar Farhadi, one of the greatest directors working today.

    • Floyd Rock

      I would guess that they covered it in their list for 2016. A lot of international films that are likely to get US release dates next year were probably covered there.

  • aidanf

    OK, the omission of Alfonso Cuaron’s next film is a HUGE mistake in so many ways. 1) It represents a hasty job of making this list 2) You guys had him at #12 in your 100 Best Director list, and said about his next film “going back to Mexico to shoot a smaller-scale Spanish-language drama, only makes us love him more”. ?????? 3) It’s freaking Alfonso Cuaron, and he’s making a Mexican-language film. How do you make a mistake like that?

    • SirKicks

      Definitely an oversight.

    • Jeff K

      Easy, by him pulling a totally moronic move like making a mexican movie in mexican language. if you want a movie watched, if you want to share some message with your film, it needs to be in ENGLISH, period. It is the de facto standard international language. . It gains the director nothing because it paints him as some douche bag trying to get labled as artistic and brilliant when in reality it just makes you an ignorant ass who doesnt care about his potential viewing audience. The film loses because no one is going to watch it except for hipster douchebags and mexicans who are just going to pirate it because they cant afford a burrito, let alone going to a movie. Us potential viewers lose big time because we miss out on something that might of been a great flick by a talented directed who fkced the pouch by putting it out in mexicali. Its one thing if your uneducated and dont speak english to make a foreign him. But if you not only know english, you have demonstrated you can make a phenomenal english language film,.your just being a moron at best to make a film in anything but english and at worse an arrogant asshat Who thinks making a film in such a way that he guarentees it wont bewatched by almost anyone is some sort of artistic statement instead of being a fool

  • Carlos Andres

    The PTA movie is set in London not in New York.

  • rnlol

    ‘Woody Allen (“Scoop”)’


  • Olive

    You need an editor. For starters, where is The Lost City of Z? You’re not eager to see it next year? It was one of the best reviewed films at the NYFF just a few weeks ago (at 87% on RT right now), ten years in the making, and directed by James Gray. How do you explain an oversight like that? Especially when this list has some real junk. And in what universe is Olivier Assayas considered a “smart young filmmaker”? Bad editing. Pattinson is working with lots of smart, young filmmakers, and I’m far more excited about seeing Damsel, from the Zellner brothers than anything that Assayas might put out. Idol’s Eye is still a pipe dream, Assayas doesn’t know if he can even get it together (according to his latest interview out of a film festival in Argentina). I’d even rather see Harmony Korine’s The Trap than Idol’s Eye.

    • Jack

      Seeing as Olivier Assayas is a month away from turning 62, I would wholeheartedly agree he is not young! But the majority of his films have received acclaim ( He’s obviously nothing to sneeze at. On a different note, agreed that Lost City of Z and Damsel (and also Alfonso Cuaron’s currently-in-production drama set in Mexico City) were unduly snubbed.

      • Lost City of Z we’ve already seen and reviewed so that goes on another list which you’ll see soon.. Harmony Korine’s The Trap is currently on hold, fyi and he may not even make it- certainly not in 2017. So it’s actually the trap that’s a pipe dream whereas Idol’s Eye is actually going forward and has money and backers, etc.. The Cuaron was an omission that we rectified.

  • cirkusfolk

    The Sicario sequel, Soldado, is actually filming right now and is expected in 2017.

  • Josh King

    So right about a Phoenix film always feeling like an event 🙂 The films don’t always come through for me, but he does. My favorite film of late is The Immigrant. His performance shook me to tears

    • Mortimer

      Phoenix is on the roll this decade – The Master, Her, The Immigrant, Inherent Vice. Even when the final result is a little bit underwhelming (Irrational Man) he makes the movie interesting. And I agree about ‘The Immigrant’, excellent film and very underrated. Can’t wait for ‘Mary Magdalene’.

  • Josh King

    I could not get on board with The Lobster. I guess it’s just the whole genre. I didn’t find it funny. But your right Farrell was great. He’s just gotten better and better these days. Raffey Cassidy is so adorable, little nervous about seeing her in a Yorgos film

    • blake011

      I loved the hotel section of The Lobster. I thought it got way less interesting once he escaped.

  • Josh King

    So appropriate to have a PTA/DDL reunion at #1. There Will Be Blood was brilliant and Day Lewis created one of the greatest characters ever, endlessly quotable. You look like a fffffool, dont you Tilford?

    • blake011

      I agree I can’t wait I just don’t see how it will be coming out in 2017. My prediction is that it hits Cannes 2018.

    • Mortimer


      • Josh King

        hahaha yes

  • Jeremy Carrier

    This is always one of my favorite features of the year, I refer to it often. Thanks, ya’ll.

  • jh

    Thanks guys, great list. Ignore the morons.

  • Your opinions are insufferable. It seems like you hate pretty much everything, except the usual stuff internet geeks love (PTA etc.). You put Alien Covenant, the new Polanski and the new Allen movies on the list, but rip their recent work apart in the text. Makes no sense.

    • blake011

      Recent Ridley Scott isn’t that great. Hoping this is better.

  • Mortimer

    Rooney Mara certainly knows how to choose interesting projects. Her only mistake this decade was ‘Pan’.

    • Josh King

      She seems to have access to anything she wants

  • Mortimer

    WEIGHTLESS should be in the Top 20 at least. I completely understand why people aren’t enthusiastic about this project anymore but it deserves much more for that glorious cast alone. Best ensemble of the decade ? I think so !

    • SirKicks

      We don’t know how many of them will even make the cut though and how many scenes they’ll get. Knight of Cups had a great cast too but some actors were basically a glorified cameo if you could even identify them to begin with.

      Really want a trailer already though.

      • Mortimer

        I hope that at least main six (Gosling, Mara, Fassbender, Portman, Bale, Blanchett) are in the final cut and with as much screen time as possible. If Weightless premieres in Berlin (and it’s likely) then we can expect trailer this month (that was the case with Knight of Cups). Seriously, I’m tired of waiting for this movie.

  • Sabrina

    I hope The Beguiled delivers, and make Elle Fanning earn her first Oscar nomination.

  • Gravitynaut

    Wait, why was “Loving Vincent” not mentioned? There’s no chance that film is going to be anything other than a mindblowing spectacle of animation. Is it still that relatively unknown?

  • Timmer917

    Are you serious with that Polanski write up? Why are you joking about him sexually assaulting a minor? Is that really not that big a deal to you, do you think it shouldn’t cloud peoples views of his films??

    • Ludwig

      Uh… what?

      I got the complete opposite reaction to that. It’s a joke, sure, but a very serious one. What possible reason would they have to mention it so many times if they felt it wasn’t a big deal or shouldn’t cloud peoples views of his films? I mean, I honestly can’t understand how you can have gotten that impression.

    • scarlet7

      I’m a fairly loud feminist and even I found it kind of needless. The only person who deserves to hate him is his victim and she has forgiven him and wants to move on with her life. You can see something close to a filmed apology with the way Polanski handles TESS and DEATH AND THE MAIDEN.

      • Nancy Arseneault-Heald

        I think an apology would have a greater impact if it wasn’t “assumed” but actually spoken.

  • Josh King

    I would put The Glass Castle higher. Short Term 12 was tremendous, should have been the film Larson won for.

  • Joshua Nathan Strong

    1. Episode 8
    2. Justice League
    3. Dunkirk
    4. PTA Fashion Drama
    5. Free Fire

  • ahnmin

    Nolan was nominated for an Oscar twice

  • Floyd Rock

    Confessions of a Dangerous Mind is easily Clooney’s best directorial effort, what are you guy’s talking about?

  • I’m actually really excited for Power Rangers!

  • yankeedoodledoggie

    {though the themes of racism and police brutality will undoubtedly make it feel just as of-the-moment}……
    Oliver Dear: You neglected to add In Obama’s America to the bracketed statement.

  • Ryan Callahan

    Alien Covenant at 91 is madness, for one I will never understand the Prometheus hate, that was an excellent movie and worthy prequel, the abortion scene is one of the best body horror scenes of all time, for another to get Scott back with the Xenomorphs is just about the most hype thing to happen in cinema for a while.

  • Dennis

    looking forward for the movie “Berlin Syndrome”

  • ED1404

    I’m a little bummed. Nothing from Leonardo Dicaprio this year??? No!! Would make an interesting awards season with Day/Dicaprio/Phoenix/Oldman…….

  • ReallyReallyBigMan

    I thought Prometheus was great. Don’t write like your opinion is fact.

    • bsmemorial

      Seriously. Didn’t even make it through this.

  • ReallyReallyBigMan

    So you just put Polanski’s next movie on here to remind people 38 times that he’s a convicted sex offender, right?

  • bsmemorial

    Woof that Godard biopic sounds fuckin dreadful.

  • bsmemorial

    Also, “Venus in Furs” was not “pretty awful.”


  • obscuremedia1

    Well gee, could you at least leave out the innuendo about Polanski? And you said the film stars his “partner”. Your journalistic skills are indeed lacking if you can’t IMDB him and find out Emmanuelle Seigner is not his partner, but his WIFE of 28 years. So please, next time do your actual research and find out that said “13 year-old” has been staunchly on his side for the past almost four decades. So again, you do yourself a great disservice when you don’t get the facts straight.