Film Comment's Best Films Of 2017 Includes 'Good Time,' 'Get Out,' More

Everyone needs a bit of distraction from staying away from “Star Wars: The Last Jedi” spoilers. One way you can do that is by going through our Best Films Of 2017, and once you’ve done that,  you might want to see how it stacks up against the selections from the venerable Film Comment.

The votes from contributors to the terrific movie magazine lean arthouse, but we have (mostly) no fault with their selections. In fact, we’re pretty pleased to see under the radar movies like “Nocturama,” “Ex Libris: The New York Public Library,” and “Faces Places” get some love alongside cherished 2017 pictures “Good Time,” “Get Out,” and “Lady Bird.”

As always, Film Comment also shines a light on 2017 movies that didn’t hit cinemas — some of which don’t even have distribution yet — with festival pictures like “A Gentle Creature,” “Mrs. Fang,” and “Spoor” getting honored.

Check out the full lists below and adjust your streaming queues accordingly.

Film Comment’s Top 10 Films Released in 2017:

1. Good Time Josh and Benny Safdie, USA
2. A Quiet Passion Terence Davies, U.K./Belgium
3. Personal Shopper Olivier Assayas, France
4. Get Out Jordan Peele, USA
5. Nocturama Bertrand Bonello, France
6. Ex Libris: The New York Public Library Frederick Wiseman, USA
7. The Death of Louis XIV Albert Serra, France/Portugal/Spain
8. Faces Places Agnès Varda and JR, France
9. The Lost City of Z James Gray, USA
10. Lady Bird Greta Gerwig, USA

Film Comment’s Top 10 Unreleased Films of 2017:

1. The Nothing Factory Pedro Pinho, Portugal
2. A Gentle Creature Sergei Loznitsa, France/Germany/Lithuania/The Netherlands
3. Streetscapes [Dialogue] Heinz Emigholz, Germany
4. Milla Valérie Massadian, France
5. Tonsler Park Kevin Jerome Everson, USA
6. Mrs. Fang Wang Bing, France/China/Germany
7. Spoor Agnieszka Holland and Kasia Adamik, Poland/Germany/Czech Republic
8. Le Fort des fous Narimane Mari, France/Algeria/Greece/Germany/Qatar
9. 3/4 Ilian Metev, Bulgaria
10. The Venerable W. Barbet Schroeder, France/Switzerland