Marvel Reveals ‘X-Men’ Cast: Christopher Abbott, Adam Driver, Maya Boyd & Inde Navarrette Join May 2028 Reboot
‘Ahsoka’ Season 2 Trailer: Rosario Dawson’s Jedi Returns January 20 On Disney+
‘Avengers: Doomsday’ Trailer: Hugh Jackman & Ryan Reynolds Join The Avengers, X-Men & Fantastic Four
‘VisionQuest’ Trailer: Paul Bettany Confronts James Spader’s Ultron Inside Vision’s Fractured Mind
‘Incredibles 3’ To Shift Focus On The Kids; Pixar Sets ‘Coco 2’ For November 2029 With Benjamin Bratt Returning [D23]
‘The Rivals Of Amziah King’: Matthew McConaughey, Angelina LookingGlass & Andrew Patterson Talk Live Bees, Alternate Cuts & ‘Yellowstone’ Spin-Offs [Interview]
Tom McCarthy’s ‘A Statement,’ Jesse Eisenberg’s ‘The Debut,’ Cristian Mungiu’s ‘Fjord’ Among 2026 New York Film Festival Spotlights
‘Heckler’: David Fincher’s ‘Squid Game’ Spinoff No Longer Moving Forward At Netflix, Familiar DP Joins ‘Cliff Booth’ Reshoots [Exclusive]
‘All Of A Sudden,’ ‘Fatherland’ & ‘Misty Green’ Among 2026 New York Film Festival Main Slate Selections [Complete List]
August TV Preview: ‘Ted Lasso,’ ‘Lanterns,’ ‘The Shards’ & More Must-Watch Shows
Greta Lee Says A24’s ‘Minor Feelings’ Series Is No Longer Happening, But She’s Developing A New Project With Lena Dunham
Damon Lindelof Says ‘Lanterns’ Season 2 Writers’ Room Has Already Started, Wants Yahya Abdul-Mateen II Back At DC
‘The Retrievals’: Emilia Jones To Lead Netflix Drama From ‘Maid’ & ‘Sirens’ Creator Molly Smith Metzler
Will Poulter On ‘Union County,’ Addiction Stigma, & Why Emotional Vulnerability Is “A Sign Of Strength” [Interview]
‘The X-Files: I Want To Believe’: Chris Carter On His 2008 Recut, Cutting A Mulder-Scully Kiss & The Story He Still Wants To Tell...
Charles Melton Is Ready For That Emmy Moment And The ‘Possibilities’ Of The ‘X-Men’
‘Teenage Sex And Death At Camp Miasma’: Gillian Anderson & Hannah Einbinder Talk KFC Seduction, Slasher Obsession & ‘The X-Files’ Future [Interview]
‘Late Fame’ Review: Willem Dafoe Shines In Kent Jones’ Wistful, Wry Portrait Of Art, Ego & Old New York
‘The End of Oak Street’ Review: David Robert Mitchell Roars Back With A Demented & Delightful Dinosaur Romp
‘The Wrong Girls’ Review: Alia Shawkat & Kristen Stewart Blaze In New Stoner Comedy That’s Heavy On Vibes, Light On Laughs
‘The Birthday Party’ Review: Willem Dafoe Hosts A Celebration With Precious Little To Celebrate
‘Reacher’ Season 4 Review: Prime Video’s Dad-Action Favorite Hits Its Muscular Head Against The Ceiling
‘Cape Fear’ Showrunner Nick Antosca On Javier Bardem’s Monster, Scorsese’s Notes & Finale Spoilers [Bingeworthy Podcast]
‘Furious’: Emmy Rossum & Liz Meriwether On Imperfect Victims, Weaponized Trauma, & A Possible ‘New Girl’ Reunion [Bingeworthy Podcast]
Alan Ritchson On The Nearly Silent ‘Motor City,’ Systemic Rage & The “Carrie”-Level Bloodshed Of ‘Reacher’ Season 4 [The Discourse Podcast]
‘Take Me Home’ Trailer: Sundance-Winning Drama Explores Family, Disability & The Future Of Care
‘Wild Horse Nine,’ ‘The Idiot(s),’ ‘Bucking Fastard,’ & ‘The Liberation’ Among New TIFF 2026 Selections
Martin McDonagh’s ‘Wild Horse Nine,’ Danny Boyle’s ‘Ink’ & Werner Herzog’s ‘Bucking Fastard’ Set For 2026 Venice International Film Festival [Complete Lineup]
‘Insidious: Out Of The Further’ Trailer: Jacob Chase’s Next Chapter In Ghostly Horror Franchise To Scare Audiences August 21
Bruno Delbonnel Shines The Light On ‘Darkest Hour’ And ‘Buster Scruggs’ [Interview]
Matthew McConaughey Confirms He Seriously Considered ‘The Last Of Us’: “It Wasn’t For Me At The Time”
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