“Eddington”
Ari Aster’s “Eddington” could very well be the most divisive film of 2025. Upon its release, some people hailed it for being a smart, bold, and brutal look at America several years ago. You have others who claim it is an unfocused tonal mess. Regardless of what you might think about Aster’s film, there’s no denying “Eddington” features one of the most arresting posters of the year. In a movie filled with high-profile stars and plenty of Western film iconography that would make sense to include in a poster (which other “Eddington” posters do include), this poster simply features three buffalo as they go headfirst down the side of a cliff. It’s black and white, with the film’s title featuring the only color. It’s a piece of art first and a poster second.
“Frankenstein”
Filmmaker Guillermo del Toro has worked with acclaimed artist James Jean on films in the past, including “The Shape of Water” and “Pinocchio.” However, you could argue that the IMAX poster for del Toro’s latest film, “Frankenstein,” is their most beautiful collaboration yet. Equal parts gorgeous and disturbing, this “Frankenstein” poster doesn’t shy away from one of the reasons del Toro’s film works as well as it does—the filmmaker’s patented gothic horror vibes. Out of all the posters on this list, this is the one that probably earns its way on someone’s wall or at least the cover of a Criterion release. We can’t wait to see what James Jean and Guillermo del Toro work on next.
“Good Boy”
Ben Leonberg’s “Good Boy” is one of the most heartwarming surprises of 2025. An indie horror film that seemingly came out of nowhere and became a modest box office hit despite its incredibly low budget. However, not enough can be written about the marketing for “Good Boy.” The trailer was a viral sensation upon its release, but perhaps the best piece of marketing is the poster. This is a film about a loyal dog attempting to save his owner from malevolent forces, and the one sheet captures that perfectly. And it does so with captivating imagery. You have these ethereal, scary arms reaching for a dog (played by the filmmaker’s own pup, Indy) as the animal stands there focused. It’s all shadowy with very few colors to be found. However, Indy is obviously the center of attention. This poster perfectly conveys the film’s plot in a striking, yet deceptively simple way.
“The Naked Gun”
When it was initially announced, folks were skeptical about the new “The Naked Gun” reboot. How could it possibly live up to the iconic original trilogy? What people didn’t account for was how the film would understand the assignment and actually deliver a smart, hilarious finished film that paid homage to the originals while also staying current. That same style can be found in this poster for “The Naked Gun” reboot. If there’s one topic that dominated the conversation about tech and Hollywood in 2025, it’s artificial intelligence (AI). And this poster hilariously skewers that topic by presenting a straightforward image of star Liam Neeson holding a pistol and looking all tough and cop-like. But it’s also impossible to ignore the fact that his character has way too many fingers gripping the pistol. We’re talking eight total fingers here. And to drive the point across, the poster says, “No AI was used in the making of this poster.” It’s silly, truly, and perfect for “The Naked Gun.” The goal for this poster wasn’t to present beautiful art, but instead to wonderfully market a goofy film like “The Naked Gun.” Mission accomplished.
“No Other Choice”
When you have a film like “No Other Choice,” it’s a welcome sight to see a studio like NEON take some swings with its marketing strategy. This film already features one of our favorite trailers of the year, and its poster also makes the list as one of the best of 2025. Upon initially looking at it, you see a beautiful piece of art featuring a large tree and a star, with Lee Byung Hun standing below it, looking directly at you. Then, as you take in the whole image, especially as you analyze what is happening in the tree, you notice memorable pieces of imagery from the film itself. However, if you haven’t seen the movie yet, this is a perfect example of a piece of art that begs further investigation. What could this all possibly have to do with Park Chan-wook’s latest film? You’ll have to watch and find out.
