‘Seasons’: Lily James Stars In Ranch Horror Pic From ‘Companion’ Director Drew Hancock & ‘Backrooms’ Producers
‘Stuart Fails To Save The Universe’ Trailer: ‘The Big Bang Theory’ Spinoff Sends Stuart Into The Multiverse
‘Sheep In The Box’ Trailer & Poster: Hirokazu Kore-eda’s Humanist Sci-Fi Film Gives Grieving Parents A Humanoid Child
‘Forgotten Island’ Trailer: A Longtime Friendship Is Tested In DreamWorks’ Magic Island Movie Hitting Theaters September 25
‘The Dink’ Trailer: Jake Johnson Joins The Pickleball Craze In Apple TV Sports Comedy From Producer Ben Stiller
‘House Of The Dragon’ Season 3 Review: HBO’s Westeros Prequel Finally Brings War, But Still Feels Built For Wiki Readers
George MacKay On Mark Jenkin’s ‘Rose Of Nevada,’ The Magic Of Cornwall & The Nerves Of One-Take Filmmaking [Interview]
‘The Death Of Robin Hood’: Director Michael Sarnoski Finds The Brutal Roots Of A Legend, Talks Hugh Jackman, ‘Logan’ Comparisons & His ‘Death Stranding’...
Joe Bird On How ‘Leviticus’ Director Adrian Chiarella Fostered A “Vulnerable” Bond Between His Two Leads [Interview]
Mitchell Robertson Hooked You On ‘Half Man,’ But He Still Has Questions [Interview]
‘Sugar’ Season 2 Review: Colin Farrell’s Stylish Apple TV+ Noir Still Can’t Fully Sell Its Big Ideas
‘Fallout’ Season 3 Adds Emily Mortimer, Manny Jacinto & Thomasin McKenzie As Production Begins This Month
Mark Jenkin Talks ‘Rose Of Nevada,’ Cornwall’s Pull, The Danger Of Nostalgia & The Moral Problem Of ‘Quantum Leap’
‘Finnegan’s Foursome’ Review: Edward Burns’ Golf Comedy Talks Itself Into The Rough
‘The Symphony Of Dance’ Review: Professional Dance Meets Medical Scares In A Documentary That Could Use Something More [Tribeca]
‘Toy Story 5’ Review: Pixar Finds Purpose In A (Mostly) Funny, Moving Look At Screens, Play, & Obsolescence
‘Spider-Noir’: Oren Uziel On Building Season One with Nic Cage, The Black-And-White/Color Gamble, Season 2 Hopes & ‘Fast Forever’ [Bingeworthy Podcast]
‘Dutton Ranch’: Kelly Reilly, Cole Hauser & Annette Bening On Beth & Rip’s Texas Reset, ‘Batman Returns,’ & Taylor Sheridan’s Shadow, & More [Bingeworthy Podcast]
‘Maximum Pleasure Guaranteed’: Tatiana Maslany, Jake Johnson, David Gordon Green & David Rosen On Lonely Screens, Bad Decisions, ‘She-Hulk,’ ‘Spider-Verse’ & More [Bingeworthy Podcast]
‘Obsession’: Curry Barker On His Twisted Wish-Fulfillment Horror Breakout, Inde Navarrette’s Wild Performance, ‘Texas Chainsaw Massacre,’ & More [The Discourse Podcast]
‘The Debut’ First Look Trailer: Julianne Moore & Paul Giamatti Star In Jesse Eisenberg’s A24 Community Theater Comedy
Dustin Hoffman, Juliette Binoche, Jeffrey Wright, Robert Richardson To Be Honored At 2026 Karlovy Vary International Film Festival
‘Industry’: Marisa Abela Thinks Yasmin Is Now A “Sort Of Sociopath” But Hopes For Her Future [Interview]
Richard Gadd Gambled On Himself With ‘Half Man’ After ‘Baby Reindeer’ And It Paid Off [Interview]
‘The Revisionist’ Review: An Interminable, Meta-Textual Cul-de-Sac That Squanders Alison Brie & Dustin Hoffman [Tribeca]
‘Disclosure Day’ Review: Steven Spielberg’s Awe-Struck Existential Thriller Finds Wonder In The Burden Of Cosmic Truth
Ari Aster Says He Has Three Films Lined Up & Will Shoot His Next Movie In November
Venice Film Festival 2026 Lineup May See ‘The Social Reckoning,’ ‘Here Comes The Flood,’ ‘Wild Horse Nine,’ ‘Bunker,’ ‘Bucking Fastard’ & More
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