‘Ransom Canyon’ Season 2 Trailer: Josh Duhamel & Minka Kelly Return To Netflix’s Texas Hill Country Romance This July
‘JAŸ-Z IN 8’ Teaser: Rick Rubin Sits Down With JAŸ-Z For An Intimate HBO Documentary Series
DC Studios & Warner Bros. Animation To Turn ‘Absolute Batman’ Into Animated Series, Anime ‘Joker: Laugh Riot’ & ‘Krypto’ Series Also On The Way
‘Late Fame’ Trailer: Willem Dafoe Is A Forgotten New York Poet Rediscovered By Greta Lee & Young Creatives
‘Run Hide Fight: Infidels’ Trailer: Jonathan Majors’ Comeback Vehicle Is Daily Wire-Engineered Culture-War Slop With A Tactical Vest
Jacob Elordi, Josh O’Connor, Teyana Taylor, Simu Liu, & The Safdies Invited To Join The Academy
‘Supergirl’ Review: Milly Alcock’s Rebel Girl Is A Welcome Jolt Of Attitude In A Largely Formulaic Intergalactic Quest
Craig Gillespie On ‘Supergirl,’ Milly Alcock, James Gunn’s DC Universe & What’s Next [Interview]
‘House Of The Dragon’ Season 3 Review: HBO’s Westeros Prequel Finally Brings War, But Still Feels Built For Wiki Readers
George MacKay On Mark Jenkin’s ‘Rose Of Nevada,’ The Magic Of Cornwall & The Nerves Of One-Take Filmmaking [Interview]
‘Furious’ Trailer: Emmy Rossum Tracks A Female Serial Killer In Hulu’s Twisted FBI Thriller
New ‘The Hawk’ Trailer: Will Ferrell’s Golf Comedy Series Hits Netflix On July 16
‘Ghostbusters: Night Shift’ First Look: Netflix’s 1994-Set Animated Series Coming In 2027
‘Leviticus’: Adrian Chiarella On How ‘The Thing,’ ‘Solaris’ & ‘The Exorcist’ Influenced His Tale Of “Queer Desire” [Interview]
Mark Jenkin Talks ‘Rose Of Nevada,’ Cornwall’s Pull, The Danger Of Nostalgia & The Moral Problem Of ‘Quantum Leap’
‘The Death Of Robin Hood’: Director Michael Sarnoski Finds The Brutal Roots Of A Legend, Talks Hugh Jackman, ‘Logan’ Comparisons & His ‘Death Stranding’...
‘Jackass: Best and Last’ Review: The Crew’s Last Movie Is a Hilarious Highlight Reel
‘Sugar’ Season 2 Review: Colin Farrell’s Stylish Apple TV+ Noir Still Can’t Fully Sell Its Big Ideas
‘Finnegan’s Foursome’ Review: Edward Burns’ Golf Comedy Talks Itself Into The Rough
‘Spider-Noir’: Oren Uziel On Building Season One with Nic Cage, The Black-And-White/Color Gamble, Season 2 Hopes & ‘Fast Forever’ [Bingeworthy Podcast]
‘Dutton Ranch’: Kelly Reilly, Cole Hauser & Annette Bening On Beth & Rip’s Texas Reset, ‘Batman Returns,’ & Taylor Sheridan’s Shadow, & More [Bingeworthy Podcast]
‘Maximum Pleasure Guaranteed’: Tatiana Maslany, Jake Johnson, David Gordon Green & David Rosen On Lonely Screens, Bad Decisions, ‘She-Hulk,’ ‘Spider-Verse’ & More [Bingeworthy Podcast]
‘Obsession’: Curry Barker On His Twisted Wish-Fulfillment Horror Breakout, Inde Navarrette’s Wild Performance, ‘Texas Chainsaw Massacre,’ & More [The Discourse Podcast]
Dustin Hoffman, Juliette Binoche, Jeffrey Wright, Robert Richardson To Be Honored At 2026 Karlovy Vary International Film Festival
Joe Bird On How ‘Leviticus’ Director Adrian Chiarella Fostered A “Vulnerable” Bond Between His Two Leads [Interview]
Mitchell Robertson Hooked You On ‘Half Man,’ But He Still Has Questions [Interview]
‘Disclosure Day’ Review: Steven Spielberg’s Awe-Struck Existential Thriller Finds Wonder In The Burden Of Cosmic Truth
Criterion Announces ‘The Complete Kubrick,’ A Massive 30-Disc 4K Box Set Collecting Stanley Kubrick’s Entire Filmography; Watch The Trailer
‘The Accompanist’ Review: Susan Sarandon Gives A Tender, Hard-Edged Performance In Zach Woods’ Moving Dramedy With Aubrey Plaza [Tribeca]
‘Artificial’: Amazon Dumps Luca Guadagnino’s Sam Altman Movie After $50 Billion OpenAI Deal, And The Optics Are Damning
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