‘Ghostbusters: Night Shift’ First Look: Netflix’s 1994-Set Animated Series Coming In 2027
‘La Bola Negra’: Netflix Sets December Streaming Date & November Theatrical Run For Cannes Sensation
Wyatt Russell’s Cold War MonsterVerse Spinoff Series At Apple TV Adds Millie Brady & Pilou Asbaek, With J.D. Dillard Directing Pilot
‘Shaun The Sheep: The Beast Of Mossy Bottom’ Trailer: Aardman’s Beloved Flock Returns To U.S. Theaters This September
‘Leviticus’: Adrian Chiarella On How ‘The Thing,’ ‘Solaris’ & ‘The Exorcist’ Influenced His Tale Of “Queer Desire” [Interview]
Craig Gillespie On ‘Supergirl,’ Milly Alcock, James Gunn’s DC Universe & What’s Next [Interview]
‘House Of The Dragon’ Season 3 Review: HBO’s Westeros Prequel Finally Brings War, But Still Feels Built For Wiki Readers
George MacKay On Mark Jenkin’s ‘Rose Of Nevada,’ The Magic Of Cornwall & The Nerves Of One-Take Filmmaking [Interview]
‘The Death Of Robin Hood’: Director Michael Sarnoski Finds The Brutal Roots Of A Legend, Talks Hugh Jackman, ‘Logan’ Comparisons & His ‘Death Stranding’...
Joe Bird On How ‘Leviticus’ Director Adrian Chiarella Fostered A “Vulnerable” Bond Between His Two Leads [Interview]
Elodie Yung Returns As Elektra For ‘Daredevil: Born Again’ Season 3
‘Stuart Fails To Save The Universe’ Trailer: ‘The Big Bang Theory’ Spinoff Sends Stuart Into The Multiverse
‘The Dink’ Trailer: Jake Johnson Joins The Pickleball Craze In Apple TV Sports Comedy From Producer Ben Stiller
Mark Jenkin Talks ‘Rose Of Nevada,’ Cornwall’s Pull, The Danger Of Nostalgia & The Moral Problem Of ‘Quantum Leap’
‘Sugar’ Season 2 Review: Colin Farrell’s Stylish Apple TV+ Noir Still Can’t Fully Sell Its Big Ideas
‘Finnegan’s Foursome’ Review: Edward Burns’ Golf Comedy Talks Itself Into The Rough
‘The Symphony Of Dance’ Review: Professional Dance Meets Medical Scares In A Documentary That Could Use Something More [Tribeca]
‘Toy Story 5’ Review: Pixar Finds Purpose In A (Mostly) Funny, Moving Look At Screens, Play, & Obsolescence
‘Spider-Noir’: Oren Uziel On Building Season One with Nic Cage, The Black-And-White/Color Gamble, Season 2 Hopes & ‘Fast Forever’ [Bingeworthy Podcast]
‘Dutton Ranch’: Kelly Reilly, Cole Hauser & Annette Bening On Beth & Rip’s Texas Reset, ‘Batman Returns,’ & Taylor Sheridan’s Shadow, & More [Bingeworthy Podcast]
‘Maximum Pleasure Guaranteed’: Tatiana Maslany, Jake Johnson, David Gordon Green & David Rosen On Lonely Screens, Bad Decisions, ‘She-Hulk,’ ‘Spider-Verse’ & More [Bingeworthy Podcast]
‘Obsession’: Curry Barker On His Twisted Wish-Fulfillment Horror Breakout, Inde Navarrette’s Wild Performance, ‘Texas Chainsaw Massacre,’ & More [The Discourse Podcast]
‘Sheep In The Box’ Trailer & Poster: Hirokazu Kore-eda’s Humanist Sci-Fi Film Gives Grieving Parents A Humanoid Child
‘Forgotten Island’ Trailer: A Longtime Friendship Is Tested In DreamWorks’ Magic Island Movie Hitting Theaters September 25
Dustin Hoffman, Juliette Binoche, Jeffrey Wright, Robert Richardson To Be Honored At 2026 Karlovy Vary International Film Festival
Mitchell Robertson Hooked You On ‘Half Man,’ But He Still Has Questions [Interview]
‘Industry’: Marisa Abela Thinks Yasmin Is Now A “Sort Of Sociopath” But Hopes For Her Future [Interview]
‘The Revisionist’ Review: An Interminable, Meta-Textual Cul-de-Sac That Squanders Alison Brie & Dustin Hoffman [Tribeca]
‘Disclosure Day’ Review: Steven Spielberg’s Awe-Struck Existential Thriller Finds Wonder In The Burden Of Cosmic Truth
Ari Aster Says He Has Three Films Lined Up & Will Shoot His Next Movie In November
Venice Film Festival 2026 Lineup May See ‘The Social Reckoning,’ ‘Here Comes The Flood,’ ‘Wild Horse Nine,’ ‘Bunker,’ ‘Bucking Fastard’ & More
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