Last Minute, Sane ‘Cloverfield’ Reviews Start To Trickle In; Contrasting Shameless Fanboy Dickriding

“Now that the fanboy hype has cleared, we can see ‘Cloverfield’ for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea — that a horror movie could maybe, just maybe, have a soul. As it turns out, ‘Cloverfield’ virtues are all mechanical, but, hot damn, what it might have been,” write Rolling Stone’s Peter Travers in one of the first non major kool-aid drinking reviews from someone – and this is key – who is not an over-zealous movie “blogger” (a wretched bunch if there ever was one).

The film currently has a 52% rating over at Metatcritic and it appears that producers for the film screened the movie at the last possible minute for reviewers so any negative counter-hype would hit last minute. The trained seal online fans blogosphere has gone wild for this thing, blindly dickriding it hard in eager anticipation of a “kick-ass” experience.

Even the L.A. Times is complicit, incredulously calling their annoyingly ubiquitous hide-n’-seek viral campaign, “subtle” and “under the radar.”

Slate says, “despite a first reel entirely devoted to establishing characters, Cloverfield is basically a line-’em-up, pick-’em-off horror movie that’s effective without being either viscerally frightening or emotionally moving.”

RP for bio
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Rodrigo Perez is the founder and editor-in-chief of The Playlist, which he launched in 2008. He has worked in entertainment journalism since 2000, including at MTV, and has written for SPIN, IndieWire, Pitchfork, Complex, Magnet, and various music, film, and entertainment publications over the past two decades.

Rodrigo Perez
Rodrigo Perez
Rodrigo Perez is the founder and editor-in-chief of The Playlist, which he launched in 2008. He has worked in entertainment journalism since 2000, including at MTV, and has written for SPIN, IndieWire, Pitchfork, Complex, Magnet, and various music, film, and entertainment publications over the past two decades.

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