Recently, HBO‘s Casey Bloys commented on the potential of the newest “Game of Thrones” series, “A Knight of the Seven Kingdoms,” becoming an annual release for the network (season two is currently filming with the expectation of a debut in 2027). But after it was revealed that creator/author George R.R. Martin has written 12 more outlines for adventures, beyond the original novellas, there is an expectation that the show could run for many, many seasons.
This was highlighted recently by showrunner Ira Parker, who explained to Esquire Magazine his ambitious plans for those multiple seasons exploring the lives of both Dunk and Egg beyond those original tales penned by Martin (very much hinting to time-jumps). As Dunk becomes one of the most respected and proflict knight, Egg also has his own legendary legacy as the future king of Westeros.
“I hope George keeps writing these. The truth is, and I’ve pitched this to HBO with a couple very polite eye rolls, I want to do four or five now with Egg as a kid. Then, I want to come back in ten years and do four or five more seasons with Egg the Prince. And with real Dexter [Ansell] and real Peter, just the age that they are at that point. Then, we’ll come back ten years after that and do well, Egg the adult. So, it would be over the course of their lifetime. And mine too,” Parker said of his hopeful plans for the future of the whimsical spinoff series.
Bloys’ interview with Deadline from last week revealed that “A Knight of the Seven Kingdoms” is already set for a third season, and was hopeful, like Park, that it could continue beyond that if things align.
“They’re producing Season 2 right now, Season 3 beyond that. I haven’t really gotten into what’s possible beyond that, but if he’s got more stories, it’s certainly something to talk to Ira and George about…This will be annual. Again, it was something that we were trying to, it’s not possible for all shows, but it is something that, where it’s possible creatively, to get back to that, and we’d like to try and do that.”
That said, the show has been doing extremely well with audiences, and given the scaled-back VFX budgets, we have to imagine it’s been very cost-effective compared to something like the pricey “House of the Dragon.” What the future looks like for the show beyond Season 3 is a bit of a question mark, but if Parker and Martin get their way, it sounds like the future is certainly bright for the Tales of Dunk and Egg moving forward.
- Christopher Marc
- Christopher Marc
- Christopher Marc
- Christopher Marc
- Christopher Marc
- Christopher Marc
